The "American hunk" is a cultural icon: the image of the chiseled, well-built male body has been promoted and exploited for commercial use for over 125 years, whether in movies, magazines, advertisements, or on consumer products, not only in America but throughout the world. American Hunks is a fascinating collection of images (many in full color) depicting the muscular American male as documented in popular culture from 1860 to 1970. The book, divided into specific historic eras, includes such personalities as bodybuilder Charles Atlas; pioneer weightlifter Eugene Sandow; movie stars like Steve "Hercules" Reeves and Johnny "Tarzan" Weismuller; and publications such as the 1920s-era magazine Physical Culture and the 1950s-era comic book Mr. Muscles. It also touches on the use of masculine, homoerotic imagery to sell political and military might (including American recruitment posters and Nazi propaganda from the 1936 Olympics), and how companies have used buff, near-naked men to sell products from laundry detergent to sacks of flour since the 1920s. The introduction by David L. Chapman offers insightful information on individual images, while the essay by Brett Josef Grubisic places the work in its proper historical context. David L. Chapman has written many books on male photography and bodybuilding, including Comin' at Ya!: The Homoerotic 3-D Photographs of Denny Denfield. Brett Josef Grubisic is author of the novel The Age of Cities and editor of Contra/Diction: New Queer Fiction.
From Paris to Los Angeles, New York to Tuscany, London to Nice, brimming with hot hunks and even hotter sex, the adventures of Matt, Freddie, and Jake continue in this fourth volume of the Passport to a Fling series.
A lively, wide-ranging pictorial history of muscular men around the world from the nineteenth century to the 1970s.
Who should make these decisions, and how? Erin L. Thompson, the country’s leading expert in the tangled aesthetic, legal, political, and social issues involved in such battles, brings much-needed clarity in Smashing Statues.
Hunks . Yes , to a fra & ion , upon condition that he would pay me fix per cent . upon all his notes and bonds , from the daie until they were discharged . Blithe . Then it seems you have brought him to your own terons ? Hunks .
... Jack, Jr., 216–218, 403n71–72, 403n74 Kennedy, Bob, 222–223, 225, 230, 238, 260, 264, 276, 305, 309, 334, 339, 343– 344 Kent, Rocky, 114 Kerr, Robert, 281 Kidwell, Steve, 373 Kiiha, Osmo, 386n10 Killanin, Lord, 217 Kilpatrick, John, ...
He wouldn't pay us in checks, he would hand us hunks of money. ... And there is where he deserted us, in Paris. ... They called me in one day and said, “Look, you have to let us out of this, because we need American support and they saw ...
Mum had changed, into a long black dress; she looked nice. She was chatting with Melody and Bryony. My stomach twisted even more. Where the hell were Kyle and Russ? I only caught glimpses of Mum's face as Charlie Brown swung off my arm.
In a fictional account of a visit to the Cambridge Music Hall appearing in Ally Sloper's Half-Holiday, Ally's daughter and chronicler, Tootsie, notes that Vesta Tilley performs some of her “men” or male characters and observes that ...
2 the AH-1G Cobra helicopter US, 1991 Used purely as a gunship in the Vietnam war from 1971 until the end of the conflict. The red bird (Cobra gunship) gave us supporting fire. — Charles Holley, Primer of the Helicopter War, p.
It didn't matter to us at that time of our lives because we were in the foreign town, but they called us hunks, whether you were Spanish, Polish, whatever you were, that was hunk town, that's how they referred to us, the foreigners, ...