Of all the colorful figures on the twentieth-century European cultural scene, hardly anyone has provoked more polarity than Alma Schindler Mahler Gropius Werfel (1879-1964), mistress to a long succession of brilliant men and wife of three of the best known: composer Gustav Mahler, architect Walter Gropius and writer Franz Werfel. To her admirers Alma was a self-sacrificing socialite who inspired many great artists. Her detractors found her a self-aggrandizing social climber and an alcoholic, bigoted, vengeful harlot - as one contemporary put it, "a cross between a grande dame and a cesspool." So who was she really? When historian Oliver Hilmes discovered a treasure-trove of unpublished material, much of it in Alma's own words, he used it as the basis for his first biography, setting the record straight while evoking the atmosphere of intellectual life in Europe and then in migr communities on both coasts of the United States after the Nazi takeover of their home territories. First published in German in 2004, the book was hailed as a rare combination of meticulously researched scholarship and entertaining writing, making it a runaway bestseller and advancing Oliver Hilmes to his position as a household name in contemporary literature. Alma Mahler was one of the twentieth century's rare originals, worthy of her immortalization in song. Oliver Hilmes has provided us with an even-handed yet tantalizingly detailed account of her life, bringing Alma's singular story to a whole new audience.
... Malevolent Muse, 260. 31. Arnold Schoenberg to Alma Mahler-Werfel. Message from the Arnold Schoenberg Centre, Vienna, cited in Hilmes, Malevolent Muse, 260. 32. Thomas Mann in Birthday Book to Alma Mahler, Pennsylvania State University ...
between women composers, and the impact on their careers of the hierarchical male- dominated environments in which they worked and lived. Despite this volume covering only a 60- year span, readers seeking clear lines of influence ...
... malevolent spirits, human sacrifices and criminal followers. Even the names “Durga”, “Shivani”, and “Parvati” have become a norm for the powerful, combative women characters on screen (Naxalite Durga, Daman, Kahaani 2 ... Malevolent Muse 177.
Szabo , Victoria , and Angela D. Jones . “ The Uninvited Guest : Erasure of Women in Ordinary People . ” Vision : Re - Vision : Adapting Contemporary American Fiction by Women to Film . Ed . Barbara Tepa Lupack .
... Muse to Genius: From fin- de- siècle Vienna to Hollywood's Heyday (Boston: Houghton Mifflin, 1983); Cate Haste, Passionate Spirit: The Life of Alma Mahler (London: Bloomsbury Publishing, 2019); Donald Arthur, Malevolent Muse: The Life ...
This is a man and a family fiercely engaged by the world, profoundly flawed, and unforgettable.
The Berg-Schoenberg Correspondence: Selected Letters. Ed. Juliane Brand, Christopher Hailey, and Donald Harris. New York: W. W. Norton, 1987. Berg, Alban, and Arnold Schoenberg. Briefwechsel Arnold Schönberg–Alban Berg. 2 vols.
... Isabel Bayrakdarian (Marzelline), and René Pape (Rocco); conducted by Christoph von Dohnányi; directed by Gina Lapinski. October 28, 2011, Houston, Houston Grand Opera, with Karita Mattila (Leonore), Simon O'Neill ...
... by Teresa Davidian Experiencing Film Music: A Listener's Companion, by Kenneth LaFave Experiencing Herbie Hancock: A Listener's Companion, by Eric Wendell Experiencing Jazz: A Listener's Companion, by Michael Stephans Experiencing ...
Manon's grave has a monumental simplicity, like an ancient Egyptian burial chamber. Eventually Alma was buried there as well. 'For my husband the death of his only child was a terrible blow,' Ise tells us. Gropius felt the loss of Mutzi ...