Ilya Kaminsky’s astonishing parable in poems asks us, What is silence? Deaf Republic opens in an occupied country in a time of political unrest. When soldiers breaking up a protest kill a deaf boy, Petya, the gunshot becomes the last thing the citizens hear—they all have gone deaf, and their dissent becomes coordinated by sign language. The story follows the private lives of townspeople encircled by public violence: a newly married couple, Alfonso and Sonya, expecting a child; the brash Momma Galya, instigating the insurgency from her puppet theater; and Galya’s girls, heroically teaching signing by day and by night luring soldiers one by one to their deaths behind the curtain. At once a love story, an elegy, and an urgent plea, Ilya Kaminsky’s long-awaited Deaf Republic confronts our time’s vicious atrocities and our collective silence in the face of them.
Described as 'a rich, reverberative dance with memories of a haunted city' (LA Times), the poems of the prize-winning debut Dancing in Odessa by Ilya Kaminsky, author of Deaf Republic,...
In this remarkable anthology, introduced and edited by Ilya Kaminsky and Susan Harris, poetic visions from the twentieth century will be reinforced and in many ways revised.
But while her family’s stories move into the present, her own story—that of a writer seeking to understand who she is—moves into the past, until both converge at the end of the book.
A fascinating sequence spanning the collection speaks in the voice of the international icon and first Chinese American movie star Anna May Wong, who travels through the history of cinema with a time machine, even past her death and into ...
Ravinthiran's second collection is a book of sonnets for his wife. These are love poems that turn analytical, consider the world, and stand for a larger community, including readers themselves.
Tracing a line from New Cross to the 'towers of blood' of the Grenfell fire, this urgent collection speaks with, in and of the voices of the past, brought back by the incantation of dancehall rhythms and the music of Jamaican patois, to ...
If he's gone to Bolton? That's trouble, Dad, with a capital T.' 'Bolton! Frightful place. Full of low-lifes, always has been. What about a walk? 'A walk? Now? But it's still dark.' 'All the better,' he said. It was one of the few nights ...
Voiced by a fictive Burns and his fictional granddaughter, a "mulatta" passing for white, the book asks: what would have happened had he gone?
FISCHER. Soon after Josie failed to make it safely out of Frank's house, Adeline was pronounced stable and established down the hall from the father's study where he stared into the light of his computer, insomniac, the perpetually ...
With Moby-Dick as a touchstone, and interspersed with interludes on everything from the history of surfing to Scientology's naval ties to the environmental impact of the Iraq War, The Great Floodgates of the Wonderworld is a multifaceted ...