This book may be viewed not only as n post-Proppian, post-Greimassian reconstruction and theoretical advance but also as a neo-Proppian, neo-Greimassian remodelling of story logic leading to an integrated descriptive model which focuses, by design, on narrative semiotics as a branch of descriptive poetics. The investigation and the revision of the actantial model and the narrative schema are made concrete through multiple small narratives from literary fiction, specifically Nathanael West's Miss Lonelyhearts, a parable of Pascal, and a historical chronicle. The modifications which Therese Budniakiewicz proposes are turned, as it were, backward towards a theoretical foundation that is both re-found and re-founded, and what emerges is a methodology of textual analysis the scope of which extends to include hermeneutics and interpretation. At the same time, through the analysis the author makes of the 'contractual and communication events' and the central position she gives to the Sender and Receiver, the book is led to place emphasis on the social and interactional nature of discourse and, thereby, integrating the basics of narrative within the framework of law and society and justice. By putting the theory in perspective while carefully analyzing its premises and by consolidating a broad spectrum of interdisciplinary concepts crucial to narrative, Fundamentals of Story Logic will be welcomed by all students of fiction, narratology, and the classical Greimas.
A fourth type of phasal analysis is offered by Timberlake (1985). Timberlake assumes an interval temporal semantics like Woisetschlaeger, and focuses on ...
In some languages, this elemental opposition surfaces directly, asin the Austronesian (Chamorro: Chung and Timberlake 1985; Bikol: Givón 1984) and certain ...
Justin Timberlake and Janet Jackson were performing during the halftime show when a “wardrobe malfunction” exposed for a fraction of a second the singer's ...
Justin Timberlake and Janet Jackson were performing during the halftime show when a “wardrobe malfunction” exposed for a fraction of a second the singer's ...
... 70, 85,171,231 Thomson, Greg, xix Thomson, R. W, 231, 233 Timberlake, Alan, ... J. M., 225, 235 van Putte, E., 286, 294 Vermant, S., 61,62 Vincent, N., ...
... 'timbol, –Z timber BR 'timble(r), -oz, -(e)rin, -od AM 'timblor, -orz, -(e)rin, ... -s Timberlake BR 'timboleik AM 'timbor,eik timberland BR 'timbaland, ...
... 237 St. George , R. , 38 Stilling , E. , 251 Stonequist , E. , 247 Stopka ... R. , 149 Tidwell , R. , 227 , 230 Timberlake , M. F. , 266 Ting - Toomey ...
... line on Deck D. A baby squeals in the background cacophony ofthe airport. ... spirit in terms of matter, matter in terms ofspirit,” Robert Frost said.
... 30, 31, 32, 34 Durand, D., 49 Dwyer, J. W., 78 E Egan, J., 93 Eisenberg, ... 102 Floyd, K., 85, 89, 91 Forsyth, C. J., 41, 42, 48, 5.1 Frost-Knappman, ...
Journal of Psycholinguistic Research, 4, 331–342. Freedman, D. (2007). Scribble. New York: Knopf Books for Young Readers. Frost, J. (2001).