Among the signal achievements of African American culture is the style of music known as the blues, an art form evolved from southern black songs of the late nineteenth century. From the field hollers and steel-bodied guitar of its early days to the electric amplification of today's performers, the visceral power of the blues has long been celebrated for its creativity, spontaneity, and ingenuity. It has served as a wellspring for other forms of music, including gospel, jazz, rhythm and blues, soul, rock, and rap, and has exerted an influence on literature and the visual arts as well. This book brings together some of the most significant writings about the blues published between 1911 and 1998. Included are selections by folklorists, anthropologists, sociologists, literary artists, musicians, critics, and aficionados. Thut the blues published between 1911 and 1998. Included are selections by folklorists, anthropologists, sociologists, literary artists, musicians, critics, and aficionados. The extraordinary appeal of the blues is reflected in the range of contributors to this volume, among them Howard W. Odum, Alan Lomax, Richard Alan Waterman, Langston Hughes, Paul Oliver, Sam Charters, Janheinz Jahn, James Baldwin, Leroi Jones, Charles Keil, Jeff Todd Titon, Houston Baker, Hazel Carby, and Angela Davis. From these various perspectives emerges a new understanding of the blues: its origins in African aesthetics; the impact of slavery and Reconstruction; its early folk manifestations; and the importance of religion, style, gender, audience, protest, and the record business in its development as an art form. Further context is provided by a comprehensive introduction, section overviews, and an extensive bibliography, discography, and videography of blues materials.
As I wrote in a recent tribute to Justice Marshall: There appears to be a deliberate retrenchment by a majority of the current Supreme Court on many basic issues of human rights that Thurgood Marshall advocated and that the Warren and ...
Behind the Scenes. by Elizabeth Keckley. Or, Thirty Years a Slave, and Four Years in the White House.
Supreme Court Justices ( continued ) Name * Years on Court Appointing President John Marshall Harlan William J. Brennan , Jr. Charles E. Whittaker Potter Stewart Byron R. White Arthur J. Goldberg Abe Fortas Thurgood Marshall WARREN E.
See George D. Terry , “ A Study of the Impact of the French Revolution and the Insurrections in Saint - Domingue ... iiin , 65n , 66n ; John D. Duncan , “ Servitude and Slavery in Colonial South Carolina , 1670–1776 " ( Ph.D. diss .
Give Us Each Day: The Diary
... George W. 318 Neal , Lonnie G. 126 , 312 Nickerson , William J. 11 Nokes , Clarence 121 Page , Lionel F. 356 ... Wanda Anne A. 150 Small , Isadore , III 135 Smart , Brinay 106 Smith , Jonathan S. , II 312 Smith , Morris Leslie 312 ...
The latter, Morgan argues, brought more autonomy to slaves and created conditions by which they could carve out an African ... Holton, Woody. Forced Founders: Indians, Debtors, and Slaves and the Making of the American Revolution.
... Eric Foner, Ella Laffey, John Laffey, Sidney W. Mintz, Brenda Meehan-Waters, Jesse T. Moore, Willie Lee Rose, John F. Szwed, Bennett H. Wall, Michael Wallace, John Waters, Jonathan Weiner, Peter H. Wood, and Harold D. Woodman.
My interaction with the Reagan staff was not close or constant , but I was always left with the tacit feeling that , using Vickers ' yellow highlighted check - off list as a gauge to measure political importance , most everyone on the ...
According to Phillips (1966), beef and mutton were not plentiful because of poor grazing pastures. ... Examples of references to beef from the narratives include Hattie Douglas (AR), who spoke of preparing an entire cow and preserving ...