In 1941 Ansel Adams was hired by the United States Department of the Interior to photograph America's national parks for a series of murals that would celebrate the country's natural heritage. Because of the escalation of World War II, the project was suspended after less than a year, but not before Adams had produced this group of breathtaking images, which illustrate both his early innovations and the shape of his later, legendary career as America's foremost landscape photographer. The invitation to photograph the nation's parklands was the perfect assignment for Adams, as it allowed him to express his deepest convictions as artist, conservationist, and citizen. These stunning photographs of the natural geysers and terraces in Yellowstone, the rocks and ravines in the Grand Canyon, the winding rivers and majestic mountains in Glacier and Grand Teton national parks, the mysterious Carlsbad Caverns, the architecture of ancient Indian villages, and many other evocative views of the American West demonstrate the genius of Adams's technical and aesthetic inventiveness. In these glorious, seminal images we see the inspired reverence for the wilderness that has made Ansel Adams's work a most enduring influence on the intertwining spirits of art and environmentalism, both so necessary for the preservation of our natural world. Book jacket.
This is a comprehensive monograph charting the career of the acclaimed American photographer.
Leben in München: Fotos aus den frühen 60er-Jahren
The book showcases 128 color and black-and-white photographs made over more than fifty years of pilgrimages across Americafrom the Great Smoky Mountains of Tennessee to Thomas Bay, Alaska, and from Acadia National Park in Maine to Joshua ...
Photographs by David H Gibson
Truly beautiful photographs with the tranquility one might feel after a fresh snowfall.
Historical Marker: Along the Lewis and Clark Trail
John Davies - Seine Valley: landscapes of the River Seine and surrounding areas, including Le Havre, Rouen, Les Andelys and...
With poetic comments by the artist on all the pictures, the book is both a portrait of the world as encountered by the photographer and a portrait of the photographer as reflected in his vision of the world.
The first book to juxtapose bodies of work by these two twentieth-century master photographers, Reinventing the West reveals how their photographs reflect changing attitudes toward the western landscape and the natural world.
John Mills: Photographs of New York State and Landscapes of the Rochester Countryside