Beginning with exercises designed to break long-held habits and allow an emotional rather than intellectual relationship to Elizabethan language, Kristin Linklater analyses Shakespeare's strategies for creating character, story and meaning through figures of speech, iambic pentameter, rhyme and the alternation of verse and prose.
The classic voice-training book for actors, teachers of voice and speech and anyone interested in vocal expression - by a pre-eminent voice teacher, actor and director. Fully revised and expanded...
Who says only the British can act Shakespeare? In this unique guide, a veteran acting coach shatters that myth with a boldly American approach to the Bard.
The most authoritative, most comprehensive book yet written on the practicality of speaking Shakespeare.
Playing Shakespeare is the premier guide to understanding and appreciating the mastery of the world’s greatest playwright.
And throughout the book sidebars relate historical, topical, technical, and other useful and entertaining information relevant to the text.
She uses dramatic resonance, breathing, and placement to show how an actor can bring Hamlet, Rosalind, Puck and other characters to life. This is one book every working actor must have.
"This book presents a lucid and multi-levelled account of the human voice in the context of performance - expressive theatrical performance and the performance of everyday communication. The logical progression...
This is the final word on the actor's voice and it's destined to become the classic work on the subject for some time to come.
Praise for Hag-Seed “What makes the book thrilling, and hugely pleasurable, is how closely Atwood hews to Shakespeare even as she casts her own potent charms, rap-composition included. . .
This second edition is extensively illustrated and accompanied by an all-new website, full of audio and text resources, including: extensive teacher guides including sample syllabi, scheduling options, and ways of adapting to varying ...