British Mammoth anthologist Ashley (The Mammoth Book of Fantasy, p. 1252, etc.) resurrects the wildly creative Algernon Blackwood, a master of dread and the spine-shudder. Now forgotten, Blackwood (1869-1952) was roundly hailed in his day as a genius of horror and supernatural fiction. Ashley brings him back to prominence by giving close and intelligent readings of his work, focusing on such classic stories as 'The Wendigo,' 'The Willows,' and 'The Man Whom the Trees Loved.' Much of that work was produced on the fly while Blackwood, an incessant traveler, was traipsing around Europe, America, and Canada. Ashley follows in his footsteps, exploring the gradual unfurling of Blackwood's communion with nature, his exploration of haunted houses, his fascination with esoteric beliefs. Blackwood's associates at any given time, Ashley suggests, had a fascinating impact on what he was writing. His sense of the wider world can be gleaned from his dealings with various theosophical societies and the Hermetic Order of the Golden Dawn, a group intrigued by Western hermeticism, Hebrew magic, and the Kabbala, introduced to him by W.B. Yeats. Ashley also conveys Blackwood's perception of how his stories acted on the imagination with well- chosen quotes: 'My idea,' the author declared in 1915, 'has been to describe the sense of Wonder which, beginning with Fancy, leads on to bigger wonder which is Spiritual; and, incidentally, to show the wonder of common things.' Though his work was never a great success in the theater, radio and television were natural venues for Blackwood, whose bass voice worked wonders with the often macabre and always otherworldly nature of his stories. Blackwood comes across as a breath of fresh-if bizarre and spooky-air, an unfettered character that Ashley captures well but thankfully doesn't tether.; 320pg.--KK 11/01/2001.
... deals made with a drunken person violate the informed consent rule and are immoral. how ... morally accountable for his action(s) if the action(s) 4.
That body is whole because it is a thinking ( Mabel Todd's ) and conceptualizing body . ... Both processes have to deal with the idea of beauty in dance ...
K. Schrier and D. Gibson (Hershey, PA: IGI Global, 2010), pp. 239–261). 15. Becker, “Choosing and Using Games in the Classroom.” 16. For further information, see D. Simkins, “Assessing Video Games for Learning,” Learning, ...
Leonardo Music Journal 14 : 97-104 . Gibbs , M. R. , K. Hew , and G. Wadley . 2004. Social Translucence of the Xbox Live Voice Channel . In Entertainment Computing , ed . M. Rauterberg . 377–385 . Berlin : Springer - Verlag Gibson ...
Production Staff Lead Editor : J. L. France Copy Editors : Cover Design : Irene , Alphonse & Manfred Additional Concepts One on One Graphics Carolyn Porter Page Design : Cover Credits DuckTalesTM and © 1991 The Disney Company .
C rossword lovers will welcome this second volume of clever, challenging puzzles by David Levinson Wilk.
Fill the coffee cup, find a pencil, and grab a chair: it’s time to solve some crosswords! What a great way to take a break, relax, and give the brain a fun challenge, too.
Levinson was a prominent member of the Detroit - area “ gambling fraternity . ” He collaborated with Samuel Garfield , a Midwest betting and gambling operator and friend of Moe Dalitz.26 Levinson's two brothers , Mike and Louis ...
This collection includes the updated edition of Fantastic Beasts and Where to Find Them, with a new foreword from J.K. Rowling (writing as Newt Scamander) and six new beasts!
21445-1 Paperbound $ 2.50 THE WONDERFUL WIZARD OF Oz , L. Frank Baum . America's finest children's book in facsimile of first edition with all Denslow illustrations in full color . The edition a child should have .