This richly illustrated collection of fourteen essays examines the ways in which Confederate memorials - from Monument Avenue to Stone Mountain - and the public rituals surrounding them testify to the tenets of the Lost Cause, a romanticized narrative of the war. Several essays highlight the creative leading role played by women's groups in memorialization, while others explore the alternative ways in which people outside white southern culture wrote their very different histories on the southern landscape. The authors - who include Richard Guy Wilson, Catherine W. Bishir, W. Fitzhugh Brundage, and William M.S. Ramussen - trace the origins, objectives, and changing consequences of Confederate monuments over time and the dynamics of individuals and organizations that sponsored them. Thus these essays extend the growing literature on the rhetoric of the Lost Cause by shifting the focus to the realm of the visual. They are especially relevant in the present day when Confederate symbols and monuments continue to play a central role in a public - and often emotionally charged - debate about how the South's past should be remembered. The editors: Art Historian Cynthia Mills, a specialist in nineteenth-century public sculpture, is executive editor of American Art, the scholarly journal of the Smithsonian American Art Museum. Pamela H. Simpson is the Ernest Williams II Professor of Art History at Washington and Lee University. She is the coauthor of The Architecture of Historic Lexington.
Thanks to the technology department at Metairie Park Country Day School—Linda Lawrence along with Sheila Pace and Bob ... And, of course, chroniclers of New Orleans—Professor Lawrence Powell of Tulane University, the late Professor ...
(Gunter, “Stith Bolling,” in Kneebone et al., Dictionary of Virginia Biography 1: 71–72.) 5 Like many other historians of the Lost Cause, I elected to end the study between 1914 and 1915. These years marked the fiftieth anniversary of ...
2; Abram J. Ryan, Poems: Patriotic, Religious, Miscellaneous (New York, 1896), pp. 24-25; "The Chaplain on Review," CV 14 ... See Mrs. John William Jones, "Our Dead Chief," in Jones, The Davis Memorial Volume, pp. 611-12; M. B. Wharton, ...
13 After World War II, the most important act by the LCMA on behalf of the Lost Cause was the removal of William Mumford's remains from Cypress Grove Cemetery to be interred under the base of the first Confederate monument at Greenwood ...
While the book is a narrative of the rise and fall of the four monuments, it is also about a city engaging history.
Confederate Monuments and the Ongoing Fight for Racial Justice Karen L. Cox ... who repeatedly defied the court order allowing Meredith to register, and the young Kennedy administration, determined to enforce that order.
Although the ghosts of the Confederacy still haunted the New South, Foster concludes that they did little to shape behavior in it--white southerners, in celebrating the war, ultimately trivialized its memory, reduced its cultural power, and ...
Duke, Basil. The Civil War Reminiscences of Basil W. Duke, C.S.A. Garden City, N.Y.: Doubleday, Page, 1911. Dunbar, Paul Laurence. Folks from Dixie. New York: Dodd, Mead, 1898. ————. Lyrics of Lowly Life. New York: Dodd, Mead, 1906.
Christopher C. Moore's Apostle of the Lost Cause is the first full-length work to examine the complex contributions to Lost Cause ideology of this well-known but surprisingly understudied figure.
While battlefield parks and memorials erected in town squares and cemeteries have served to commemorate southern valor in the Civil War, Confederate soldiers' homes were actually 'living monuments' to the Lost Cause, housing the very men ...