Hip hop, which first began on the streets of the South Bronx in the early 1970s, has traveled the globe, finding a home in every corner of the planet. Remade by local cultures in their own language and regional style, hip hop’s versatility speaks to its accessibility and universality. The lyrics, the look, and the lifestyle could easily be a cultural anthropologist’s best example—or worst nightmare—of America’s influence and cultural dominance.
In 2005, Magnum Photographer David Alan Harvey began photographing local emcees in the Bronx River Projects, home of hip hop pioneer Afrika Bambaataa, whose legendary Zulu Nation parties of the 70s inspired a new generation of b-boys and b-girls. It is their descendants that Harvey has captured in Living Proof, a glimpse into hip hop in its many forms.
Boogie Down thugs Uptown and Ruckus, unsigned artists whose lyrics are presented here, became Harvey’s trusted friends and self-appointed guides, bringing him inside their homes, their families, and their lives. Harvey soon realized that the code of the streets would bring one of three fates: jail, death, or success. And so he traveled from the 'hood" to Hollywood, gaining access to Ice Cube, Snoop Dogg, and Nelly—artists who went through the system and came out kings. Keepin’ it real becomes a little surreal when gold records and semi-automatics mix like gin and tonics.
Going global to document the regional manifestations of a culture a mere three decades in existence, Harvey discovered conversations with DAM in East Jerusalem sounded just like the ramble with Uptown and Ruckus. Hip hop, for all its pop-pop-pop, for all it’s and ya don’t stop, for all its rise to the top, has always been about speaking to the guy on the corner and the girl at the club—because skills and styls come from a hard love.
Anthologies of photographs are indexed by photographer, subject, and named individuals in portraits.
Douglas Johnson: Southwest Traditions and Modern Icons
The connection between all the rhetoric and all the poetry, between the words of a Black Panther and those of a rock star or a pacifist, between the scars of a pop artist and those of a napalm victim, have haunted and informed the ...
... 空间科学研究所(SSI)封底:美国宇航局(NASA),美国地质勘探局(USGS)第4页:美国宇航局(NASA),M·贾斯丁·威尔金森(M. Justin Wilkinson),德克萨斯州立大学(Texas State University),美国宇航局(NASA)约翰逊航天中心(JSC)工作人员雅各布(Jacobs Contract) ...
Although Evans and Christenberry share many of the same subjects and concerns, there is a dramatic difference to the meaning of their work.
But Lawler is also an old-fashioned "artist's artist," long overdue for the kind of serious reconsideration and recognition that this volume affords.
During the late 1960s and 70s, a paradigm shift occurred within visual culture: photography and the moving image were absorbed into critical art practices. In particular, these mediums were used...
This book presents for the first time a selection of Imes's elegant, formally balanced black-and-white images, recorded over nearly twenty years, of local people, river baptisms, black baseball teams, backyards,...
Describes the federal expeditions Hillers accompanied to the American West
A groundbreaking book, the only volume of first-class reproductions of Lewis Carroll's photographs.Published on the one hundredth anniversary of the death of Charles Lutwidge Dodgson (Lewis Carroll), Reflections in a...