German Culture through Film: An Introduction to German Cinema is an English-language text that serves equally well in courses on modern German film, in courses on general film studies, in courses that incorporate film as a way to study culture, and as an engaging resource for scholars, students, and devotees of cinema and film history. In its second edition, German Culture through Film expands on the first edition, providing additional chapters with context for understanding the era in which the featured films were produced. Thirty-three notable German films are arranged in seven chronological chapters, spanning key moments in German film history, from the silent era to the present. Each chapter begins with an introduction that focuses on the history and culture surrounding films of the relevant period. Sections within chapters are each devoted to one particular film, providing film credits, a summary of the story, background information, an evaluation, questions and activities to encourage diverse interpretations, a list of related films, and bibliographical information on the films discussed.
For example , in “ Towards a Critical Theory of Third - World Films , ” Teshome H. Gabriel formulates a postcolonial film theory influenced by Frantz Fanon's work on decolonization and outlines three phases in postcolonial filmmaking .
O autor analisa em 'Multiculturalismo Tropical' o percurso do cinema brasileiro no tratamento das questões étnicas e raciais. Discute, entre outros temas, como foram construídas as imagens do negro e...
For a treatment of the historical connection between economy and moral discourse, see Joyce Oldham Appleby, ... Thomas O. Beebee, Clarissa on the Continent (University Park: Pennsylvania State University Press, 19 90), 73. 44.
The central plot device is a large St. Bernard dog , Cujo , who apparently becomes possessed by the persona of a dead “ mad strangler , " Frank Dodd , and turns rabid . Through a series of unfortunate events , Tad and his mother are ...
"This book introduces the reader to basic issues related to the phenomenon of American cinema.
James T. Sears, Rebels, Rubyfruit, and Rhinestones: Queering Space in the Stonewall South (New Brunswick, N.J.: Rutgers University Press, 2001), 319. 15. Wesley Chenault and Stacy Braukman, Gay and Lesbian Atlanta (Charleston: Arcadia, ...
Covering diverse locations, including China, India, Japan, Philippines, Malaysia, Thailand, Iran, and the countries of the Pacific Islands, contributors to this volume reveal the story of early cinema in Asia, helping us to understand the ...
Viewing cross-cultural differences through the lens of cinema.
Film, Form, and Culture
Dream Factories of a Former Colony: American Fantasies, Philippine Cinema