Handmade Holiday Cards shows how artists imagined the holidays through original watercolors, etchings, silk-screen prints, and drawings. Rarely seen beyond the eyes of their recipients, these cards confirm the irrepressible artistry of their senders. Handmade Holiday Cards offers personal insight into the style and sentiment of artists, including how they summed up the year's events in their own lives and the world in which they lived. The introduction by archives specialist Mary Savig explores the intersections between commercial holiday cards and the art world--how holiday cards were first marketed as "affordable art" and how selling their art to card companies often provided income for artists in lean times. She then opens up the more intimate dimensions of an artist's social network, illuminating their relationships with dealers, curators, teachers, and close friends. Captions introduce each artist, compare or contrast the holiday card to his/her body of work, and discuss the relationship to the recipient when relevant. Handmade Holiday Cards illustrates and contextualizes a broad range of one-of-a-kind artworks or limited edition print series by well-known artists such as Josef Albers, Milton Avery, Alexander Calder, Robert Indiana, John Lennon and Yoko Ono, Robert Motherwell, Nickolas Muray, and Ad Reinhardt. It will appeal to anyone interested in greeting cards, ephemeral art, illustrated correspondence, and the history of American art.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...