The Cesnola Collection of antiquities from Cyprus preserves the island’s artistic traditions from prehistoric through Roman times and represents the first large group of ancient Mediterranean works to enter the museum’s collection. This publication which focuses on Ancient Glass and is the third volume in a series aimed at publishing the collection in its entirety. This catalogue contains descriptions and illustrations of 520 glass vessels and objects. Although the majority of the glass is Roman, the scope of the collection extends from the Late Bronze Age through the end of antiquity (ca. 1500 B.C.– A.D. 600). It is the first attempt in over a century to provide a detailed account of the ancient glass found on Cyprus by Cesnola.
These works were purchased by the newly established Museum in the mid-1870s from General Luigi Palma di Cesnola, a Civil War cavalry officer who had amassed the objects while serving as the American consul on Cyprus.
The Cesnola Collection of Cypriot Art: Terracottas
The Cesnola Collection of antiquities was assembled on Cyprus in the 1860s and 1870s by Luigi Palma de Cesnola, who sold it to The Metropolitan Museum of Art in 1872. Cesnola subsequently served as the institution's first director.
Cypriot art: the Cesnola collection at the met
Published in conjunction with the opening of the Museum's four permanent galleries for ancient art from Cyprus, this volume features some 500 pieces from the Cesnola Collection, illustrated in color, and fully described.
He too was a signer.35 For Jews the Sunday question carried special significance. As Rabbi J. Silverman, of Temple Emanu-El, observed, “a 'Sacred Sunday' was an institution unworthy of the Government of this free country.
An interdisciplinary treatment of syllabic writing in ancient Cyprus and an invaluable resource for anyone studying Cypriot epigraphy or archaeology.
(6.3 cm) Rogers Fund, 1906 (o6.1072) and Lent by the Museum of Fine Arts, Boston (L.1974.44) Marble lamps with relief decoration are rare. The nozzles at the center and in each of the three projections would have contained wicks.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations.