Draw Horses There's nothing quite so captivating as the elegant lines, powerful muscles and graceful movements of a horse. For centuries, artists have celebrated these exquisite creatures in their work—now you can too! Lee Hammond shows you how with her special step-by-step method for breaking down each subject into easily drawn shapes that fit together like pieces of a puzzle. She'll teach you the basics of horse anatomy along with the finer details, including facial features, hair, legs and hooves. You'll learn blending and shading techniques to capture a horse's form and dimension, then give each animal personality, conveying emotion and spirit with startling realism. Learn to draw horses of any age, in any stance. Master the techniques needed to render a horse in motion, and capture the speed, power and grace of an animal on the move. Hammond makes it easy, illustrating each lesson with start-to-finish exercises and invaluable advice. So what are you waiting for? It's time to grab your pencil, saddle up and begin your new artistic journey.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...