The soap opera, one of U.S. television’s longest-running and most influential formats, is on the brink. Declining ratings have been attributed to an increasing number of women working outside the home and to an intensifying competition for viewers’ attention from cable and the Internet. Yet, soaps’ influence has expanded, with serial narratives becoming commonplace on most prime time TV programs. The Survival of Soap Opera investigates the causes of their dwindling popularity, describes their impact on TV and new media culture, and gleans lessons from their complex history for twenty-first-century media industries. The book contains contributions from established soap scholars such as Robert C. Allen, Louise Spence, Nancy Baym, and Horace Newcomb, along with essays and interviews by emerging scholars, fans and Web site moderators, and soap opera producers, writers, and actors from ABC’s General Hospital, CBS’s The Young and the Restless and The Bold and the Beautiful, and other shows. This diverse group of voices seeks to intervene in the discussion about the fate of soap operas at a critical juncture, and speaks to longtime soap viewers, television studies scholars, and media professionals alike.
Since the debut of These Are My Children in 1949, the daytime television soap opera has been foundational to the history of the medium as an economic, creative, technological, social, and cultural institution.
This book documents the phenomenon, tracing its history, legacy and impact on the soap opera industry and on popular culture at large.
In this collection of 29 new and five classic essays and recollections, authors and soap opera insiders delve into the passion for television melodrama that compels viewers to "tune in tomorrow.
The serial is not to be confused with the series, in which the main characters and format remain the same from program to program but each episode is a self-contained plot.
A comprehensive survey of the history, the means of production, the content and the impact on audiences of soap operas. A sociologist and a specialist in women's studies combine to...
Since the debut of These Are My Children in 1949, the daytime television soap opera has been foundational to the history of the medium as an economic, creative, technological, social, and cultural institution.
To Be Continued... explores the world's most popular form of television drama; the soap opera.
Television Programming and Corporate Priorities James H. Wittebols. Nicols , John , and R. W. McChesney . 2003. ... In Out of bounds : Sports , media and the politics of identity , edited by Aaron Baker and Todd Boyd .
In Speaking of Soap Operas, Robert Allen undertakes a reexaminati
Thus for years during its heyday, Our Gal Sunday's closing proceeded in the following manner: MUSIC: Pick up a few bright notes ANNOUNCER: This is Ed Fleming saying “good-by” until tomorrow at this same time. MUSIC: Pick up a few bright ...