So here he was at last, where he had long feared to be. Harry Chapman is not well, and he doesn't like hospitals. Superficially all is as it normally is in such places, with nurses to chide him and a priest to console. But there are more than usual quotient of voices - is it because of Dr Pereira's wonder drug that he can hear the voice of his mother, acerbic and disappointed in him as ever? Perhaps her presence would be understandable enough, but what is Pip from Great Expectations doing here? More and more voices add their differing notes and stories to the chorus, squabbling, cajoling, commenting. Friends from childhood, lovers, characters from novels and poetry. His father, fighting in the First World War. Babar and Céleste, who dances with Fred Astaire. Jane Austen's Emma. His aunt Rose, 'a stranger to moodiness'. Christopher Smart's cat Jeoffrey. A man who wants to sell him T. S. Eliot's teeth. Virginia Woolf, the scourge of servants. And, of course, an old friend who turns up at his bedside principally to rehearse the litany of his own ailments. Slowly, endearingly, the life of Harry Chapman coalesces before our eyes, through voices real and unreal. Written with a gentle, effortless generosity, full of delicate observation, Chapman's Odyssey is the work of a master; a superbly rendered act of storytelling and ventriloquism that is waspish, witty, deeply moving and wise by turns and which constantly explores 'the unsolvable enigma of love'.
George Chapman's translations of Homer are among the most famous in the English language. Keats immortalized the work of the Renaissance dramatist and poet in the sonnet "On First Looking into Chapman's Homer.
Homer bidding farewell to his wife, Odysseus bound to the mast, Penelope at the loom, Achilles dragging Hector's body round the walls of Troy - scenes from Homer have been portrayed in every generation.
Then vow to all the weake necks of the dead Offerings a number , and , when thou shalt tread The Ithacensian shore , to sacrifice A Heifer never tam'd and most of prise , A pyle of all thy most - esteemed goods Enflaming to the deare ...
... gust betterness bewray beyond - sea bid billow bin birth bitten black blackish blanch blaze blind of blood bloody blore bluish boggle boisterous boor boot borne boss boss - pikt bostrous bosts bow brackish braid brake branded brass ...
This edition of the Odyssey, a companion to Robert Miola’s edition of the Iliad, aims to bring Chapman’s rendering alive for the modern reader.
Homeric Renaissance: The Odyssey of George Chapman
Offering the first full-length commentary on Odyssey I in English since the 1980s, this new edition with facing translation aims to offer students an accessible yet authoritative introduction to the history and style of Homeric epic ...
A new translation of Homer's epic adventure endeavors to instill the poetic nature of its original language while retaining accuracy, readability, and character vibrancy, creating the most captivating rendition of one of the defining ...
The Iliad Ancient Greek:Ili s, pronounced [i'.li. s] in Classical Attic; sometimes referred to as the Song of Ilion or Song of Ilium) is an ancient Greek epic poem in dactylic hexameter, traditionally attributed to Homer.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations.