While light is required to make a photograph, light alone is not enough. More often, it is the way the light has been modified and shaped that brings an image to life. In this book, Glenn Rand and Tim Meyer offer a comprehensive approach to the tools and techniques photographers can use to shape the light—creating the style, energy, emotion, and feeling that make a photograph exceptional. Clear text is paired with ample before-and-after images and diagrams to make learning easy. Beginning with the physics of light, the authors show you how to predict light’s interaction with the surface of the subject/object you are photographing. Based on this, you can begin to make informed decisions about what kinds of modifiers will help you achieve the look you want. Using softboxes, umbrellas, masks, gels, reflectors, and more, you’ll learn to precisely control the light’s diffused edge and ratio for precise, flawless results.
Shaping Light in Nonlinear Optical Fibers performance of optical temporal switches [3]. Another application of rectangular pulses is wavelength conversion by optical time gating, where they are employed as pump pulses.
We used apple boxes to dial in the rail height on this one. Since that shoot, I have made some junior drop-downs to solve this recurrent problem. The more common solution is a Matthews slider stand (see fig.
Voorbeelden van het gebruik van glas in de moderne bouwkunst.
and Lighting Equipment Whatever system you decide to use, it's important to know. 2. Light Modifiers P hotography is about controlling light— modifying or shaping light to set the tone or mood in your photos.
This book investigates how the practice of keeping a light burning in churches was established in the early Middle Ages.
The book gives a comprehensive overview on fundamental laws of microoptics, types of thin-film microoptical components, methods and constraints of their design, fabrication and characterization, structure transfer into substrates, optical ...
Extensive illustrations illuminate the concepts discussed, and the works of outstanding photographers serve as examples of how to apply the lessons in this book.