Foregrounding critical questions about the tension between the study of drama as literature versus the study of performance, Melinda Powers investigates the methodological problems that arise in some of the latest research on ancient Greek theatre. She examines key issues and debates about the fifth-century theatrical space, audience, chorus, performance style, costuming, properties, gesture, and mask, but instead of presenting a new argument on these topics, Powers aims to understand her subject better by exploring the shared historical problems that all scholars confront as they interpret and explain Athenian tragedy. A case study of Euripides’s Bacchae, which provides more information about performance than any other extant tragedy, demonstrates possible methods for reconstructing the play’s historical performance and also the inevitable challenges inherent in that task, from the limited sources and the difficulty of interpreting visual material, to the risks of conflating actor with character and extrapolating backward from contemporary theatrical experience. As an inquiry into the study of theatre and performance, an introduction to historical writing, a reference for further reading, and a clarification of several general misconceptions about Athenian tragedy and its performance, this historiographical analysis will be useful to specialists, practitioners, and students alike.
This book examines the performance of Greek tragedy in the classical Athenian theatre. David Wiles explores the performance of tragedy as a spatial practice specific to Athenian culture, at once religious and political.
Specially written for students and enthusiasts, David Wiles introduces ancient Greek theatre and cultural life.
This is a unique introduction to Greek tragedy that explores the plays as dramatic artifacts intended for performance and pays special attention to construction, design, staging, and musical composition.
Wolf, W. 2005. “Metalepsis as a Transgeneric and Transmedial Phenomenon: A Case Study of the Possibilities of 'Exporting' Narratological Concepts.” In Narratology beyond Literary ... Wright, M. 2005. Euripides' Escape-Tragedies: A Study ...
Peter Arnott discusses Greek drama not as an antiquarian study but as a living art form.
A 2007 study of the mask in Greek tragedy, covering both ancient and modern performances.
This book deals with the historical context of ancient Greek tragic performances, with the plays themselves, and with later adaptation and re-performance, down to modern times.
... Journal of Feminist History 6/1: 147–50. Blatner, A. and Wiener, D.J., eds. (2007), Interactive and Improvisational Drama: Varieties of Applied Theatre and Performance (New York: iuniverse). Blau, H. (1990), The Audience (Baltimore, ...
This collection of published and unpublished essays connects antiquity with the present by debating the current prohibiting conceptions of performance theory and the insistence on a limited version of ‘the contemporary’.
For the background to this, see Athol Fugard, “Antigone in Africa,” in M. McDonald and M. Walton, eds., Amid Our Troubles: Irish Versions of Greek Tragedy (London, 2002). 23. Ibid. For the script see Athol Fugard, Township Plays (Oxford ...