Tracing the transatlantic influence of the Irish Revival upon the Southern Renaissance, this work explores how the latter looked to the former for guidance, artistic innovation, and models for self-invention and regional renovation. Artuso investigates the renaissance trope of female rebirth, as the revivalists often figured cultural, national, or regional regeneration through the metamorphoses and maturation of female protagonists such as Cathleen ní Houlihan, Scarlett O’Hara, and Virgie Rainey.
Tracing the transatlantic influence of the Irish Revival upon the Southern Renaissance, this work explores how the latter looked to the former for guidance, artistic innovation, and models for self-invention and regional renovation.
ean Campbell deposited a check for $850 at Barclay's Bank on Barbour Street in Kingston, Jamaica, in 1969. It was an advance on the sale of the reprint rights for a book her father published to great acclaim in 1926, the first tangible ...
Her articles have appeared in Studies in the Novel, Mississippi Quarterly, the Eudora Welty Review, the Celtic Studies Association of North America Yearbook, and the Lexington Herald-Leader, In 2011, she was awarded the Ruth Vande Kieft ...
Isaac Wright; and Benjamin Marshall, a third partner, married the daughter of one of their ship's captains.70 Early ... W. Lawrence, who began as a clerk in Samuel Hicks' office, then moved up to William Howland's firm and eventually ...
This research paper argues that by countering the threat posed by Putin's Russia, we can achieve a stronger transatlantic relationship that will ultimately lead to a Renaissance of the West and serve as foundation for a continued global ...
Fostering a transatlantic renaissance to salvage the Western alliance Is the Western alliance, which brought together the United States and Europe after World War II, in an inevitable state of decline, and if so, can anything be done to ...
Approaching a wide range of transnational topics, the editors ask how conceptions of slavery & gendered society differed in the United States, France, Germany, & Britain.
This book provides an original account of Emerson's creative debts to the British and European Romantics, including Coleridge and Carlyle, firmly locating them in his New England context.
O'Brien makes no secret of her love for Fitzgerald, with Caithleen fervently reading Tender Is the Night (1934) to see if “the man would leave the woman or not” and Baba quoting the novelist back to Caithleen when she falls into a deep ...
I find space in between these two positions, exploring neglected, often transatlantic, connections between modernism and the Harlem Renaissance, while remaining alert to the ways in which African American writers mobilized such ...