Christopher Shultis observes an intriguing contrast between John Cage's affinity for Thoreau and fellow composer Charles Ives' connection with Emerson. Although both Thoreau and Emerson have been called transcendentalists, they held different views about the relationship between nature and humanity and the artistÍs role in creativity. Shultis explores the artist's "sounded" or "silenced" selves-the self that takes control of the creative experience versus the one that seeks to coexist with it-and shows how understanding this distinction allows a better understanding of Cage. Having placed Cage in this experimental tradition of music, poetry, and literature, Shultis offers provocative interpretations of Cage's aesthetic views, especially as they concern the issue of non-intention, and addresses some of his most path-breaking music as well as several experimentally innovative written works.
"Do you have a favorite sound?" little Yoshio asks. The musician answers, "The most beautiful sound is the sound of ma, of silence." But Yoshio lives in Tokyo, Japan: a giant, noisy, busy city.
The Saturday Review said of him: "Cage possesses one of the rarest qualities of the true creator- that of an original mind- and whether that originality pleases, irritates, amuses or outrages is irrelevant.
The guiding questions for this collection of articles are therefore: Who has access to the public sphere? How is this access enabled or disabled? Under what conditions is it granted or withheld, and by whom?
Rogers would continue to accept each refinement until the client indicated, “Yes, that's how it is. That's what I feel.” Then there would be a characteristic silence. Very often the next thing that came up in the client's awareness ...
beyond self Some people view self or the ego with deep suspicion. They feel that the spiritual journey should begin by abdicating self and eradicating the ego.They are wrong. Humanity has two unique and splendidly defining ...
See also morality Sikh meditation practices, 7 silabbata—paramasa, 47, 184—82, 345 silence, sound of, 73, 74, 203, 213, 3 1 6—17 attachment ... 91 simplicity and, 293 suffering and, 171, 172, 175 sectarianism, 192 self, 9, 16, 203, 260.
In this book, Kyle Gann, one of the nation’s leading music critics, explains 4'33" as a unique moment in American culture and musical composition.
Kassel: Bärenreiter, 1998. 8: 1760–65. Senzsaki, Nyogen and Ruth Strout McCandless, trans. and ed. The Iron Flute: 100 Zen Koans. Boston, Rutland and Tokyo: Tuttle Publishing, 2000. Shultis, Chris. Silencing the Sounded Self: John Cage ...
It is the experience of the individual self that makes for a particular experience of the heroic form for each person, which takes into account the feelings evoked by the themes and tropes of the music, but also the individual's context ...
With that, the total negative impact on SNariaa of the Self amp chain (ppa + MM p-a + IEC-hp) becomes 1.3 dB/1.6 dB (MM phono-amp op-amps 5534/5532) by comparing it with the non-impact situation of column F, Table 15.1.