Known as the Empress of the Blues, Bessie Smith was the most popular female blues singer of the 1920s and 1930s. Singing came naturally to Bessie and as a young girl she helped support her family as a street singer in Chattanooga, Tennessee. When she was seventeen Bessie joined a traveling show and worked her way up to the black vaudeville circuit. Her popularity led to a recording contract that eventually established her as the most successful black performing artist of her time, earning as many fans in the North as she had in the South. But for as gifted as she was a singer, Bessie was also troubled and difficult off stage. Alcohol abuse led to violent outbursts that alienated many friends and associates. After a brief career slump Bessie was on tour making a comeback when tragedy struck and she was killed in a car accident. Although her life was cut short, her impact on music lives on to this day.
African-American singer Bessie Smith (1894 or 1898-1937) was an acclaimed jazz and blues singer. The Public Broadcasting Service (PBS) presents a biographical sketch of Smith as part of "Biographies: Life...
Even though she can't afford a ticket to see the great blues singer Bessie Smith perform, Emmarene listens outside Bessie's tent—that is, until she bursts into the show to warn...
Bessie Smith (1894-1937).
and also as a celebratory release when the labor tasks were completed.21 The communal labor experience was one of the few times that black laborers in rural Hamilton County were able to meet and share moments ...
Likewise, she settled with a husband, Jack Gee, who mistreated her in every possible way. This book looks at the incredible and influential life of Bessie Smith.
A definitive collection of songs sung by Bessie Smith, 'The Empress of the Blues.' A tribute to the woman who shaped the blues tradition for subsequent blues, jazz and even rock artists to this day.
In 1929, Murphy proposed making a series of films based on African American music. In his autobiography, W. C. Handy claims that the inspiration to make St. Louis Blues was his—that he coauthored a screenplay with Kenneth W. Adams based ...
[]ames Alan McPherson, Railroad: Trains and Train People in American Culture (New York: Random House, 1976), p. 9.] This possibility came from the locomotive's drive and thrust, its promise of unrestrained mobility and unlimited freedom ...
For this new edition he includes more details of Bessie's early years, new interview material, and a chapter devoted to events and responses that followed the original publication in 1971.
This book explores the relationship between three African American women's dance-art-music sensibilities within the context of a Pan African aesthetic.