Acting Together: Performance and the Creative Transformation of Conflict is a two-volume work describing peacebuilding performances in regions beset by violence and internal conflicts. Whereas Volume I, Resistance and Reconciliation in Regions of Violence, emphasizes the role theatre and ritual play both in the midst and in the aftermath of direct violence, Volume II, Building Just and Inclusive Communities, focuses on the transformative power of performance in regions fractured by "subtler" forms of structural violence and social exclusion. The case studies in this volume document examples from Afghanistan, Australia, Ghana, the Netherlands, South Africa, and the United States. This volume also offers resources, tools, and recommendations to help educators, artists, students, policymakers, and funders alike to become involved with, and contribute to, the emerging field of peacebuilding performance. The Acting Together project documents how divided communities in conflict regions across the globe draw on the power of performance to express silenced truths, rebuild severed relationships, and work toward justice. Born in 2005 of a partnership between the International Center for Ethics, Justice, and Public Life at Brandeis University and Theatre Without Borders, the project grew to include the two-volume anthology Acting Together, the feature-length documentary film Acting Together on the World Stage, a website of related materials, and a toolkit, or "Tools for Continuing the Conversation," included with the documentary as a second disc and featuring practical guidelines and templates for further action. Taken together, these resources yield rich case studies, theoretical frameworks, and recommendations to help practitioners, educators, students, and policymakers understand and strengthen the emerging field of peacebuilding performance.
Complemented by a website of related materials, a documentary film, Acting Together on the World Stage, that features clips and interviews with the curators and artists, and a toolkit, or "Tools for Continuing the Conversation," that is ...
They are developed, rehearsed, and performed by “live practitioners.” A performance is uniquely energized by the focus, the present energy, and the vulnerability of live actors and by the animated attention—whether characterized by ...
Describes peacebuilding performances in different regions of the world fractured by war and violence.
... Acting Together: Performance and the Creative Transformation of Conflict: Volume 1: Resistance and Reconciliation in Regions of Violence, edited by Cynthia Cohen, Roberto Gutiérrez Varea, and Polly O. Walker, 201–24. New York, NY: New ...
The authors in this volume explore the interconnected issues of intergenerational trauma and traumatic memory in societies with a history of collective violence across the globe.
... Acting Together II: Performance and the Creative Transformation of Conflict. Oakland: New Village Press. Cohen, Cynthia E., Roberto Gutiérrez Varea ... Conflict Transformation and the Transrational Shift in 136 P. DITZEL FACCI References.
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The Handbook of Research on Promoting Peace Through Practice, Academia, and the Arts aims to provide readers with a concise overview of proactive positive peace models and practices to counter the overemphasis on merely ending wars as a ...
Karen M Poremski and Amy Benson Brown, Roads to Reconciliation, Conflict and Dialogue in the Twenty-First Century (ME Sharpe Inc, 2005). Mark Howard Ross, 'Ritual and the Politics of Reconciliation' in Yaacov Bar-Siman-Tov (ed), ...