Massive collection of new essays on The Shining with new interviews with the cast and crew.
In H. Radner & R. Stringer (Eds.) Feminism at the movies: Understanding gender in contemporary popular cinema (pp. 268À282). London: Routledge. ... Spectatorship, embodiment and physicality in the contemporary mutilation film.
The first in a new series on horror films keyed to this expanding market.
Massive new book on The Exorcist covers every aspect of production, with essays, interviews, and essays on all the sequels.
The second in our series on critical studies of horror films.
Aimed at teachers and students new to the subject, Studying Horror Cinema is a comprehensive survey of the genre from silent cinema to its twenty-first century resurgence.
Nightmare Fuel by Nina Nesseth is a pop-science look at fear, how and why horror films get under our skin, and why we keep coming back for more. Do you like scary movies? Have you ever wondered why? Nina Nesseth knows what scares you.
As a result, the information has not been effectively integrated. This volume was written to address this problem and to position the study of audience responses to frightening fiction as a significant research topic.
The book focuses on recent postmodern examples such as The Blair Witch Project. In a daring move, the volume also examines Holocaust films in relation to horror. Part One features essays on the silent and classical Hollywood eras.
The Howling: Studies in the Horror Film
This has, in the cases of films such as A Serbian Film / Srpski film (Srđan Spasojević, 2010) and The Human Centipede II: Full Sequence, led to some of the most substantial cuts in twenty-first century UK censorship.