John Fahey hovers ghostlike in the sound of almost every acoustic guitarist who came after him. He was to the solo acoustic guitar what Hendrix was to the electric: the man whom all subsequent musicians had to listen to. Fahey made more than forty albums between 1959 and his death in 2001, fusing folk, blues, and experimental composition, taking familiar American sounds and making them new. Yet Fahey’s life and art remain largely unexamined. His memoir and liner notes were largely fiction. His real story has never been told—until now. Journalist Steve Lowenthal has spent years talking with Fahey’s producers, friends, peers, wives, business partners, and many others. He describes how Fahey introduced pre-war blues to a broader public; how his independent label, Takoma, set new standards; how he battled his demons, including stage fright, alcohol, and prescription pills; how he ended up homeless and mentally unbalanced; and how, despite his troubles, he managed to found a new record label, Revenant, that won Grammys and remains critically revered. This portrait of a troubled and troubling man in a constant state of creative flux is not only a biography, but also the compelling story of a great American outcast. Steve Lowenthal started and ran the music magazine Swingset; his writing has also been published in Fader, Spin, Vice, and the Village Voice. He lives in New York City. David Fricke is a senior editor at Rolling Stone magazine.
The Dance of Death: Medallic Art of the First World War
This edition reproduces a complete set from the British Museum, with many details highlighted and examples of other works in this grisly field included.
Let's take a look at Eliot's use of allusion, here most likely involving Whitman's 'When Lilacs Last in the Dooryard Bloom'd.'” Oh, my God, it was like a nightmare: here he was in the front of the class and not understanding a word the ...
The Dance of DeathDanse MacabreHans HolbeinWith an introductory note by Austin DobsonDance of Death, also called Danse Macabre, is an artistic genre of late-medieval allegory on the universality of death: no matter one's station in life, ...
After the bizarre deaths of her parents, Madeline never expects to feel happy again.
Gathers drawings about death by artists of the past and works by the author about the Holocaust, nuclear war, militarism and capital punishment
Presents the high profile case of Kimberly Renee Poole, a housewife and mother who led a secret life as a topless dancer at a local strip club where she convinced a patron--and lover--to kill her hopelessly devoted husband.
Finding a beautiful pair of red shoes, Tammy Peters tries to overcome her superstition when she is told that the shoes are cursed, but whenever a friend borrows them, strange and terrible things happen. Original.
London, 1893: Private enquiry agents Cyrus Barker and Thomas Llewelyn are called in to protect Tsesarevich Nicholas from nefarious forces as he travels to England for a royal wedding—inDance with Death, the next mystery in Will Thomas’s ...
In this book the concepts of musica humana and musica mundane are related to philosophy, aesthetics, and the history of religion and are given a rightful place in the history of civilization. Originally published in 1970.