When Elvis Presley first showed up at Sam Phillips's Memphis-based Sun Records studio, he was a shy teenager in search of a sound. Phillips invited a local guitarist named Scotty Moore to stand in. Scotty listened carefully to the young singer and immediately realized that Elvis had something special. Along with bass player Bill Black, the triorecorded an old blues number called "That's All Right, Mama." It turned out to be Elvis's first single and the defining record of his early style, with a trillingguitar hook that swirled country and blues together and minted a sound with unforgettable appeal. Its success launched a whirlwind of touring, radio appearances, and Elvis's first break into movies. Scotty was there every step of the way as both guitarist and manager, until Elvis's new manager, Colonel Tom Parker, pushed him out. Scotty and Elvis would not perform together again until the classic 1968 "comeback" television special. Scotty never saw Elvis after that. With both Bill Black and Elvis gone, Scotty Moore is the only one left to tell the story of how Elvis and Scotty transformed popular music and how Scotty created the sound that became a prototype for so many rock guitarists to follow. Thoroughly updated, this edition delivers guitarist Scotty Moore's story as never before
When Elvis Presley first showed up at Sam Phillips's Memphis-based Sun Records studio, he was a shy teenager in search of a sound. At first, Sam ignored him, but the...
With rare photographs and memorabilia -- photos of Scotty practicing aboard the Valley Forge, of Elvis and the Blue Moon Boys, Elvis' first contract, and memos from Colonel Tom Parker -- That's Alright, Elvis is an insider's account of ...
Transskriptioner efter pladeindspilninger af Scotty Moores guitarsoli
Afterward he told his friend Gary Bryant, “That oughta show that fella. Anybody can do what he does.” Left with few alternatives, Presley hit the stage, performed three gospel numbers, and said, “Let's get out of here.
' Scotty McCreery stands for something. You hear it in his voice. You see it in his actions. And you feel it in his songs. This book outlines the wild ride he's been on being thrust into the world.
4. Erika Doss, Elvis Culture: Fans, Faith, and Image (Lawrence: University Press of Kansas, 1999). 5. Vernon Chadwick, ed., In Search of Elvis: Music, Race, Art, Religion (Boulder, CO: Westview Press, 1997); E. Warren Perry, Jr., ed., ...
This is the quintessential American story, encompassing elements of race, class, wealth, sex, music, religion, and personal transformation.
A photographic collection that provides an all-access pass to the personal and professional world of Elvis Presley, as photographed by Thom Gilbert, whose stunning photos of Elvis artifacts reveal the man behind the legend.
The touching story of thirty years of friendship between George Klein and the King that “offers an insider’s view of Presley the man as opposed to Presley the singer, actor, and icon” (Associated Press). “You capture the essence of ...
Randle invited Neal to stay over at his place, and they stayed up much of the night talking. By the end of the evening Randle was convinced that Neal “had a big artist on his way,” and he gave Neal the ...