(Book). Guitarist Michael Bloomfield shot to stardom in the '60s with The Paul Butterfield Blues Band, Bob Dylan, The Electric Flag and on Al Kooper's "Super Session." His story is told in the words of his brother, musicians such as B.B. King, producer Paul Rothchild and dozens of others including Bloomfield himself. Features a foreword by Carlos Santana, and audio of unreleased early studio tracks. "(This book) is a look inside the psyche of a musical innovator who deserves a posthumous Nobel Prize and a statue on Rush Street in Chicago. If you love his blues, you'll love this book." Al Kooper
If you love his blues, you'll love this book.” – Al Kooper
What about young Gleason's views on jazz? Were they invalid because he would always be an Irish boy from New York's segregated suburbs and not a black man from Harlem? That, too, seemed not to be an issue. Yet the critic made race an ...
When Bloomfield and his crowd met him, Williams had been traveling for at least forty of his sixty years, selling himself on the basis of having written the blues classic “Baby Please Don't Go.” He'd covered the South and Midwest, ...
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Me and Big Joe
(Guitar Educational). The Legendary Licks series presents the music of a band or artists in a comprehensive play-along package.
One of the funniest rock memoirs ever Al Kooper's legendary Backstage Passes is available again] Al's quirkly life from would'be teenage rocker to crashing Bob Dylan's recording session an
A great blues guitarist chronicles his eventful life, from his modest upbringing in rural Louisiana to his rise to prominence in the Chicago blues scene to his becoming a lasting influence on Eric Clapton, Stevie Ray Vaughn and many others.
Bob Corritore, Bill Ferris, and JimO'Neal, “WillieDixon, Part II,”Living Blues (September/October 1988),p. 21. 7. Jim andAmy O'Neal,“MuddyWaters,” Living Blues (March/April 1983),p.39. 8. Howlin' Wolf interviewed by RalphBass, ...
n his 1976 essay written for New York magazine, celebrated American social critic Tom Wolfe defined the seventies as the “Me Decade.” He described how U.S. economic prosperity had “pumped money into every class level of the population ...