A vibrant dual portrait that chronicles the lives of and volatile relationship between the two most iconic figures in American architecture: Frank Lloyd Wright and Philip Johnson.
Featuring many of the structures that defined modern space--from Fallingwater to the Guggenheim, from the Glass House to the Seagram Building--this book presents an arresting portrait of modern architecture's odd couple and how they shaped ...
In chronicling their intersecting lives and work in the context of the nation’s post-war renewal, Hugh Howard reveals how these two men created original all-American idioms in architecture and landscape that influence how we enjoy our ...
Ethics is now a required part of accredited architecture programs, making this book essential reading for all students in architecture and design.
Beyond specific lessons, this volume offers an informal yet richly detailed introduction to this seminal figure, world-famous for his romantic Fallingwater and magical Guggenheim Museum, and will be of much interest to the budding ...
Dannatt (ed.) (1953) 7. But see Millais (2015). Compare other LCC blocks of the same period, e.g. those at Bentham Road, Hackney, London (see Cherry & Pevsner [1998] 503). Cherry & Pevsner (1983) 691.
William Storrer claims Wright completed 27 houses for the William St. River Forest Project anonymously because his ... 182–187 and Storrer, The Anonymous Frank Lloyd Wright and the 700 William Street, River Forest Project (Chicago: ...
The best of architectural talent to be had in the world is none too good for any building—and for St. Marks land-mark you should not be governed by expedients or prejudice—but should select your man for his abilities—regardless of all ...
In chronicling their intersecting lives and work in the context of the nation's post-war renewal, Hugh Howard reveals how these two men created original all-American idioms in architecture and landscape that influence how we enjoy our ...
... 240,247,263,274,279,281,295, 296, 313,318,320, 325,327,332,341,350, 366,370, 373,393, 400, 414,421,429 The IAC Building: 347 Iwan Baan: 406 The Guggenheim: 299, 300, 429 Michael MoransOTTO: 126 Olivier Boissiere: 43 Paul Goldberger.
1878 as part of Morse's Lowell lectures at MIT.2 Clearly, the Japanese drawings and pictures in the Morse lectures influenced Richardson's work as evidenced by Japanese motifs in the Ames Gate Lodge and many of the small railway ...