A groundbreaking book that dissects a slanderous history dating from cinema’s earliest days to contemporary Hollywood blockbusters that feature machine-gun wielding and bomb-blowing "evil" Arabs Award-winning film authority Jack G. Shaheen, noting that only Native Americans have been more relentlessly smeared on the silver screen, painstakingly makes his case that "Arab" has remained Hollywood’s shameless shorthand for "bad guy," long after the movie industry has shifted its portrayal of other minority groups. In this comprehensive study of over one thousand films, arranged alphabetically in such chapters as "Villains," "Sheikhs," "Cameos," and "Cliffhangers," Shaheen documents the tendency to portray Muslim Arabs as Public Enemy #1—brutal, heartless, uncivilized Others bent on terrorizing civilized Westerners. Shaheen examines how and why such a stereotype has grown and spread in the film industry and what may be done to change Hollywood’s defamation of Arabs.
“Nothing will be the same again.” Americans scarred by the experience of 9/11 often express this sentiment. But what remains the same, argues Jack Shaheen, is Hollywood’s stereotyping of Arabs.
Dr. Shaheen, studying over 100 different popular entertainment programs, cartoons and major documentaries telecast on network, independent and public channels, totaling nearly 200 episodes that relate to Arabs, has thrown new and revealing ...
Analyzing how TV dramas such as The Practice, 24, Law and Order, NYPD Blue, and Sleeper Cell, news-reporting, and non-profit advertising have represented Arabs, Muslims, Arab Americans, and Muslim Americans during the War on Terror, this ...
A is for Arab: Archiving Stereotypes in U.S. Popular Culture features photographs of objects and materials from the Jack G. Shaheen Archive at Tamiment Library & Robert F. Wagner Labor Archives, and documents U.S. popular culture ...
The films I omitted were Border Incident (1949, d. ... Orson Welles), and Requiem for a Heavyweight (1962, d. ... “Salt of the Earth,” Cineaste 5 (Fall 1972): 5–55, and Tom Miller, “Salt of the Earth Revisited,” Cineaste 13:13 (1984): ...
Examines why anti-Muslim sentiment is on the rise and offers ways to defuse the intolerance.
In this innovative volume, Mahdi offers a comparative analysis of three cinemas, yielding rich insights on the layers of representation and the ways in which those representations are challenged and disrupted.
Arab and Muslim Stereotyping in American Popular Culture
Focusing on the decade following 9/11, this critical analysis examines the various portrayals of Muslims in American cinema.
Bringing the rich terrain of Arab American histories to bear on conceptualizations of race in the United States, this groundbreaking volume fills a critical gap in the field of U.S. racial and ethnic studies.