Sara Le Menestrel explores the role of music in constructing, asserting, erasing, and negotiating differences based on the notions of race, ethnicity, class, and region. She discusses established notions and brings to light social stereotypes and hierarchies at work in the evolving French Louisiana music field. She also draws attention to the interactions between oppositions such as black and white, urban and rural, differentiation and creolization, and local and global. Le Menestrel emphasizes the importance of desegregating the understanding of French Louisiana music and situating it beyond ethnic or racial identifications, amplifying instead the importance of regional identity. Musical genealogy and categories currently in use rely on a racial construct that frames African and European lineage as an essential difference. Yet as the author samples music in the field and discovers ways music is actually practiced, she reveals how the insistence on origins continually interacts with an emphasis on cultural mixing and creative agency. This book finds French Louisiana musicians navigating between multiple identifications, musical styles, and legacies while market forces, outsiders’ interest, and geographical mobility also contribute to shape musicians’ career strategies and artistic choices. The book also demonstrates the decisive role of non-natives’ enthusiasm and mobility in the validation, evolution, and reconfiguration of French Louisiana music. Finally, the distinctiveness of South Louisiana from the rest of the country appears to be both nurtured and endured by locals, revealing how political domination and regionalism intertwine.
This is one of the reasons French Louisiana had such a loyal constituency of listeners— the songs were a paean to the ... Sara Le Menestrel, Negotiating Difference in French Louisiana Music, Categories, Stereotypes, and Identifications ...
Lives in Music analyses interwoven patterns of mobility, change, and power in music and dance practices.
Black Music Research Journal 8: 33–49. Ancelet, Barry Jean. ... Cajun and Creole Music-Makes: Musiciens cadiens et creoles, 2nd ed. ... Negotiating Difference in French Louisiana Music: Categories, Stereotypes, and Identifications.
Negotiating Difference in French Louisiana Music: Categories, Stereotypes, and Identifications. Jackson: University Press of Mississippi, 2015. “Moses Asch.” Smithsonian Center for Folklife and Cultural Heritage.
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Her research interests include the role of music in managing differences. Her book Negotiating Difference in French Louisiana Music: Categories, Stereotypes, and Identifications is forthcoming from the University Press of Mississippi.
Documentary filmmaker Les Blank. Chris Strachwitz and Arhoolie Records. These are names that are familiar to many fans of Cajun music and zydeco, and they have one other thing in common--longtime residence in the San Francisco Bay Area.
Accordions, Fiddles, Two Step and Swing: A Cajun Music Reader. Lafayette: Center for Louisiana Studies, University of Louisiana at Lafayette, 2006. Bright, Charles and Michael Geyer. “Where in the World Is America?