From the Wall Street Journal's opera critic, a wide-ranging narrative history of how and why the New York City Opera went bankrupt—and what it means for the future of the arts In October 2013, the arts world was rocked by the news that the New York City Opera—“the people’s opera”—had finally succumbed to financial hardship after 70 years in operation. The company had been a fixture on the national opera scene—as the populist antithesis of the grand Metropolitan Opera, a nurturing home for young American talent, and a place where new, lively ideas shook up a venerable art form. But NYCO’s demise represented more than the loss of a cherished organization: it was a harbinger of massive upheaval in the performing arts—and a warning about how cultural institutions would need to change in order to survive. Drawing on extensive research and reporting, Heidi Waleson, one of the foremost American opera critics, recounts the history of this scrappy company and reveals how, from the beginning, it precariously balanced an ambitious artistic program on fragile financial supports. Waleson also looks forward and considers some better-managed, more visionary opera companies that have taken City Opera’s lessons to heart. Above all, Mad Scenes and Exit Arias is a story of money, ego, changes in institutional identity, competing forces of populism and elitism, and the ongoing debate about the role of the arts in society. It serves as a detailed case study not only for an American arts organization, but also for the sustainability and management of nonprofit organizations across the country.
Just as the efforts of Maria Callas and Joan Sutherland spurred the revival of bel canto opera, conductors have been a vital link to formerly neglected repertory. Callas elevated the status of bel canto music when she demonstrated how ...
The New York City Opera: An American Adventure
From her early childhood lessons to the height of her success as the first African American prima ballerina in the Metropolitan Opera, Brave Ballerina is the story of a remarkable pioneer as told by Michelle Meadows, with fantastic ...
"The text raws on current knowledge of leisure programming strategies for small, medium-sized, and large organizations in a variety of settings, including community recreation, community and cultural arts, nonprofit organizations, ...
A handy and engaging chronicle, this book is the most detailed production history to date of the original Broadway version of Cabaret, showing how the show evolved from Christopher Isherwood's Berlin stories, into John van Druten's stage ...
Orality and Literacy : The Technologizing of the Word , London , 1982 Ortner , Sherry . “ Is female to male as nature is to culture ? " Feminist Studies 1/2 ( 1974 ) , 5-31 Parker , Rozsika and Griselda Pollock .
Levy tells the inside story of the demise of the New York City Opera, the Metropolitan Opera's need to use as collateral its iconic Chagall tapestries in the face of mounting operating losses, and the New York Philharmonic's dalliance with ...
It concentrates on the stories & text of opera, that perhaps have more relevence today in a growing literature than it had when it was the "sacrilegious" pioneering work.
Gilbert , Sandra M. , and Susan Gubar , The Madwoman in the Attic : The Woman Writer and the Nineteenth - Century Literary Imagination . New Haven , 1979 . Gilman , Sander L. , Difference and Pathology : Stereotypes of Sexuality ...
... Charles Ives Reconsidered Gayle Sherwood Magee The Hayloft Gang: The Story of the National Barn Dance Edited by Chad Berry Country Music Humorists and Comedians Loyal Jones Record Makers and Breakers: Voices of the Independent Rock 'n'