Alexander Calder was one of the most original artists of the twentieth century and a major figure in American art. Renowned for his mobiles and stabiles, he also created the beloved Calder Circus, an early performance piece now preserved at the Whitney Museum. He was a contemporary and friend of Marcel Duchamp and Joan Miró and collaborated with Martha Graham. His wife, Louisa, was a grandniece of Henry and William James, a liberal society girl from Boston who loved to entertain. Both were characters, full of joie de vivre. When they moved their family to Roxbury, Connecticut, they became a mainstay in a community that included Arthur Miller and Saul Steinberg, who would come to their parties. In this unique and beautiful work, Sandra Calder Davidson remembers growing up as the daughter of this larger-than-life pair and celebrates the family—the children and grandchildren—that grew out of their loving home. Sandra has a gift for caricaturing people as animals—her father as a circus lion, Louisa as a nippy fox—and the book is organized around these portraits, accompanied by vivid recollections and anecdotes about the subjects. The “other critters” include, besides Miller and Steinberg, other family friends and whimsical fauna she has encountered, like St. Louis Cardinal fans in full cardinal regalia or a Florida gator at a cocktail party for retirees. Celebrating family and the joyful dance of life, here is a book with the freshness and grace of a Calder mobile.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...