This brilliant blend of history, biography, and criticism explores the seminal figures of twentieth-century French art—Matisse, Picasso, Derain, Léger, Dufy, Braque, Giacometti, Balthus, and Hélion—and the vital art world in which they thrived. The ten interlocking essays in this important book include radical new evaluations of Derain, Léger, and Dufy, and penetrating studies of the final works of Picasso and Braque. Paris Without End, Jed Perl’s first book, is now celebrating its twenty-fifth anniversary and is essential reading for anyone passionate about modern art. Roberta Smith called it “a quiet, cogent tour de force. . . . As one critic’s demonstration of what he considers the best in art and the best way to write about it, this book sets a high standard.” Hilton Kramer also noted, “Everyone who cares about the art of the twentieth century will find something to disagree with in this book—its many unorthodox judgments are bound to be controversial—but that, in my view, is a mark of the book’s importance.”
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...