Paris, 1890. When Sherlock Holmes finds himself chasing an art dealer through the streets of Paris, he’s certain he’s smoked out one of the principals of a cunning forgery ring responsible for the theft of some of the Louvre’s greatest masterpieces. But for once, Holmes is dead wrong. He doesn’t know that the dealer, Theo Van Gogh, is rushing to the side of his brother, who lies dying of a gunshot wound in Auvers. He doesn’t know that the dealer’s brother is a penniless misfit artist named Vincent, known to few and mourned by even fewer. Officialdom pronounces the death a suicide, but a few minutes at the scene convinces Holmes it was murder. And he’s bulldog-determined to discover why a penniless painter who harmed no one had to be killed–and who killed him. Who could profit from Vincent’s death? How is the murder entwined with his own forgery investigation? Holmes must retrace the last months of Vincent’s life, testing his mettle against men like the brutal Paul Gauguin and the secretive Toulouse-Lautrec, all the while searching for the girl Olympia, whom Vincent named with his dying breath. She can provide the truth, but can anyone provide the proof? From the madhouse of St. Remy to the rooftops of Paris, Holmes hunts a killer—while the killer hunts him.
Barent would tell Kathrijn stories of childhood travels with his father, a brewer stricken by wanderlust—tales of Drenthe woodcutters living in houses that were windowless and half underground, or the fishermen of Marken who lived on ...
In his latest exploit, larger-than-life Curacao private investigator Jan Kokk is hired to unravel a 126-year-old mystery.
That Bloch bought for Nazis on commission: ALIU, "Detailed Investigation Report #4," NARA, M1782. 56 Looted Jewish art was found in Bloch's private collection: For instance, a still life by Dirck van Delen stolen from the Schloss ...
Also borrowed from Caravaggio is the typical ter Brugghen device of including a figure in profile against the light. Caravaggio was famous—or infamous—for depicting ordinary people even in religious subjects, but compared with ter ...
A Mirror of Nature: Dutch Paintings from the Collection of Mr. and Mrs. Edward William Carter
See 1973 I97I 1971.48 223 Philips Wouwermans, A Il/Ian and a Woman on Horseback Purchase, Pfeiffer Fund, Joseph Pulitzer Bequest, and Gift of Dr. Ernest G. Stillman, by exchange, 1971 1971.73 108 Nicolaes Maes, Abraham Dismissing Hagar ...
Based on the actual theft of the Mona Lisa from the Louvre in 1911, and published on the 100th anniversary of the crime, Stealing Mona Lisa is a sophisticated, engaging caper, complete with a richly imagined group of con artists and a ...
contemporary Dutch painting and descriptions of specific paintings, the story highlights Sebastian's father's ... The narrator explicitly points out that in the strange case of Sebastian “all his singularities” may be “summed up in his ...
In this sense, the depiction of minute details in Ōshin's painting, such as the camel's hair, eyelids and lashes, ... of the inquiry and research into Dutch science books, one that engendered further research into the pharmacological ...
Historians and art historians provide a critique of existing methodologies and an interdisciplinary inquiry into seventeenth-century Dutch art and culture.