Numerous archaeological projects have found substantial evidence of the military nature of Maya society, and warfare is a frequent theme of Maya art. Maya Gods of War investigates the Classic period Maya gods who were associated with weapons of war and the flint and obsidian from which those weapons were made. Author Karen Bassie-Sweet traces the semantic markers used to distinguish flint from other types of stone, surveys various types of Chahk thunderbolt deities and their relationship to flint weapons, and explores the connection between lightning and the ruling elite. Additional chapters review these fire and solar deities and their roles in Maya warfare and examine the nature and manifestations of the Central Mexican thunderbolt god Tlaloc, his incorporation into the Maya pantheon, and his identification with meteors and obsidian weapons. Finally, Bassie-Sweet addresses the characteristics of the deity God L, his role as an obsidian merchant god, and his close association with the ancient land route between the highland Guatemalan obsidian sources and the lowlands. Through analysis of the nature of the Teotihuacán deities and exploration of the ways in which these gods were introduced into the Maya region and incorporated into the Maya worldview, Maya Gods of War offers new insights into the relationship between warfare and religious beliefs in Mesoamerica. This significant work will be of interest to scholars of Maya religion and iconography.
To the Aztec, Huitzilopochtli wore a blue-green hummingbird helmet and was draped in pure white heron feathers.
... deity was even more appalling than Ix Tab, Zotzilaha Chimalman, or any of the Mayan war gods. “There is no benevolent side to Manik, the god of human sacrifice,”42 Fisher writes flatly. Gods. and. the. World. To the Maya, then, the world of ...
An informative overview of world mythological traditions examines the gods and goddesses, heroes and heroines, monsters and angels of myths from every region of the world, analyzing parallels between the traditions and lore of Celtic, ...
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The Popol Vuh: The Mythic and Heroic Sagas of the Kiches of Central America
... contemporary patrilineage (who is always a diviner) dies, his successor must be installed in office by the head of a neighboring lineage, who is hired as an ajch'ajb'al laq, ajch'ajh'al tasa, “washer of the plate, washer of the cup.
With new readings of ancient texts, Ancient Maya Politics unlocks the long-enigmatic political system of the Classic Maya.
The Maya World of Communicating Objects: Quadripartite Crosses, Trees, and Stones. ... “The Principal Bird Deity in Maya Art: An Iconographic Study of Form and Meaning. ... K., and N. A. Hopkins. 2018. Maya Narrative Arts. References | 251.
This new edition looks at how Santiago Atitlán has fared since the expulsion of the army. Carlsen explains that, initially, there was hope that the renewed unity that had served the town so well would continue.
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