"This book presents an introduction to master screenprinter Lou Stovall by his son--part memoir, part history--that shows Lou Stovall's path as an artist while illuminating the golden age of art in DC in the 1960s and 1970s. It then presents a stunning series of prints and poems from his Of the Land series that showcase innovative screenprinting techniques. It finishes with an excerpt from Lou's autobiography, which gives readers a sense of his approach to art and life, which are intertwined. Stovall created The Workshop in 1968 as a small, active silkscreen workshop focused primarily on printing community posters. Under Stovall's leadership, Workshop, Inc. evolved into an internationally-respected printmaking facility and Stovall collaborated with Jacob Lawrence and Sam Gilliam, among others. His works are part of numerous collections, including the National Gallery of Art, Smithsonian Ameican Art Museum, and The Phillips Collection. Publication coincides with a Kreeger Museum exhibit and precedes a forthcoming exhibit at the University of Georgia (TBD)"--
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...