Why do many popular songs positively reference God if our culture is widely viewed as secular? Why is it a challenge to tell the Christian story when many say they are spiritual and believe in God? Why do we draw so much meaning from the popular songs we listen to? And might a deeper understanding of popular-music culture help us to explore the bigger stories we listen to throughout our lives, such as the Christian story? Primarily using Zygmunt Bauman’s understanding of “liquid modernity” we look at the social forces that shape Western society and consider why, while many are looking for “authentic,” ontologically based stories to understand their life experiences, historic providers of the big stories that shape our lives, such as the church, favor a different, epistemological way of telling them. How do these different approaches to storytelling affect their reception and what insight might we draw from that? Whilst this book is written primarily with those in Christian ministry in mind, it will be of interest, too, to those who use music to explore life experiences through their work, who are interested in the social forces that shape society, or who simply enjoy listening to popular music.
Restless twists and turns through the double life of one remarkable woman. Through Eva’s life, William Boyd asks the intriguing question — How well do we truly know someone?
In Why We Are Restless, Benjamin and Jenna Storey offer a profound and beautiful reflection on the roots of this malaise and examine how we might begin to cure ourselves.
Jennie uses the story of Joseph in the book of Genesis to explain how his suffering, gifts, story, and relationships fit into the greater tapestry of God’s narrative—and how our story can do the same.
This lyrical novel, structured like a Creole quadrille, is a rich ethnography bearing witness to police violence in French Guadeloupe.
With At the End of Sleep, an anthology selected from the past decade of Israeli poet Tal Nitzán’s work, one of Hebrew poetry’s most powerful and acclaimed contemporary voices is finally given her English-language due.
... R on one side and The Price Is Right on the other. Having worked at CBS's TV City as long as I have, I know how Bob Barker was—he wasn't what you saw on TV. In real life, I'm afraid to say, he was nothing like what you'd imagine.
The cult classic from the godfather of Cuban science fiction, Agustín de Rojas’s The Year 200 is both a visionary sci-fi masterwork and a bold political parable about the perils of state power.
Unpacking the soft tyranny of the digital age, Felicia Wu Song combines insights from psychology, neuroscience, sociology, and theology as she considers digital practices through the lens of "liturgy" and formation.
Restless is a disobedient short novel, narrated by aphorisms and small episodes of everyday life, conveyed by a presence and an intensity that never folds back to a personal darkness.
Is global warming real? What is a NEXRAD Doppler? Meteorologist Paul Douglas provides the answers to all these questions and more, along with fascinating illustrations, photos, trivia, and graphics.