Although James Joyce began these stories of Dublin life in 1904, when he was 22, and had completed them by the end of 1907, they remained unpublished until 1914 - victims of Edwardian squeamishness. Their vivid, tightly focused observations of the life of Dublin's poorer classes, their unconventional themes, coarse language, and mention of actual people and places made publishers of the day reluctant to undertake sponsorship.Today, however, the stories are admired for their intense and masterly dissection of "dear dirty Dublin," and for the economy and grace with which Joyce invested this youthful fiction. From "The Sisters," the first story, illuminating a young boy's initial encounter with death, through the final piece, "The Dead," considered a masterpiece of the form, these tales represent, as Joyce himself explained, a chapter in the moral history of Ireland that would give the Irish "one good look at themselves." But in the end the stories are not just about the Irish; they represent moments of revelation common to all people.
This Norton Critical Edition is based on Hans Walter Gabler's scholarly edition and includes Gabler's edited text, his textual notes, and a newly revised version of his introduction, which details and discusses the complicated publication ...
Fifteen stories evoke the character, atmosphere, and people of Dublin at the turn of the century.
This is in line with Joyce's tripartite division of the collection into childhood, adolescence and maturity.
The collection includes two of Joyce's most famous short stories, Araby and The Dead. Includes image gallery.
This is in line with Joyce's tripartite division of the collection into childhood, adolescence and maturity.
Dubliners is a collection of fifteen short stories by James Joyce, first published in 1914.[1] They form a naturalistic depiction of Irish middle class life in and around Dublin in the early years of the 20th century.
Because the stories in James Joyce's Dubliners seem to function as models of fiction, they are able to stand in for fiction in general in their ability to make the operation of texts explicit and visible.
This is in line with Joyce's tripartite division of the collection into childhood, adolescence and maturity.
Dubliners is Joyce at his most accessible and most profound, and this edition is the definitive text, authorized by the Joyce estate and collated from all known proofs, manuscripts, and impressions to reflect the author’s original wishes.
This is in line with Joyce's tripartite division of the collection into childhood, adolescence and maturity.