Drawn from the collections of Jordan D. Schnitzer and His Family Foundation, Global Asias examines the cosmopolitan and the mundane, the exuberant and the somber, and the subtly subversive and enigmatic characteristics of contemporary Asian and Asian American art. Though the artists featured in the exhibition share a common Asian heritage, their backgrounds and styles differ vastly, and each artist draws on an array of motifs, techniques, and cultural motivations to construct diverse "Asias" in a modern global context. The fifteen artists represented here were born in Japan, China, Korea, Vietnam, Argentina, or the United States; all are adept at crossing borders-not only physical ones but also those in media, styles, genre, and materiality. The full recognition of works by Asian and Asian American artists, this exhibition suggests, rewrites the history of modern art as well as the history of American art, both of which turn out to be more vibrant and colorful than we knew, once we embrace such inclusivity.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...