Self Portraits is an autobiography of sorts. Lea M. Fisher created a series of self-portraits between 2017 and 2021. These self-portraits do not represent her in a literal sense, in terms of her physical appearance, but rather they are more inner self-portraits that depict her personal journey. Each portrait may embody a thought, an emotion, or Fisher's experience of an important person in her life. Each work of art is the pictorial representation of Fisher's mental landscape with all its ups and downs, sharp turns, and unexpected detours. Accompanying each painting is a text that describes Fisher's life growing up with parents who were addicts, how she has dealt with abuse on many levels, and ultimately how she has healed and recovered as best she can. It is Fisher's sincere hope as you view her portraits and read her words that you might see some small part of yourself and know you're not alone (especially if it is a little scary to look at certain things). Fisher hopes that her story will paint the picture that pain is only the bridge to joy, and that bridge is an integral part of each and every one of our journeys.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...