La Serenissima - a beautiful but deadly city where corrupt aristocrats rule and everything, including love, has a price. Tallow is anything but a simple candlemaker and when she has everything taken away from her - friends, family, hope - all she can do to survive is rely on the Maleovellis. Casting aside the safety of her disguise, she becomes cold-hearted Tarlo, female courtesan and the toast of those who, if they knew her secret, would destroy her. But the intrigues of the Serenissian nobility are nothing against the larger forces moving within the world. And Tallow's enemies have a hidden asset: the one thing they know she cannot possibly resist.
This book is a fascinating exploration of this area of cultural history and the numerous color illustrations encourage a playful investigation of the many threads of Japan’s visual culture.
This book traces the origins and development of the use of votive panel paintings in Italy in the fifteenth and sixteenth centuries.
This book focuses on the origin, development of styles, and uses of votive tablets in Thailand from their introduction in the sixth century CE to their present role in the...
Mouldmade terracotta heads of men, women and children were being produced in Italy from the fourth century BC. This book not only discusses the production, chronology, distribution, style and chemical composition of these heads, but also ...
Religio Votiva: The Archaeology of Latial Votive Religion : the 5th-3rd C. BC Votive Deposit South West of the Main...
This volume includes all of the Classical, Hellenistic, and Roman votive reliefs found to date in the excavations of the Athenian Agora.
35 The first citation is from Schlosser (1911), 72: 'Es sind im Grund wieder ganz primitive Vorstellungen, die tief in menschlichen, allzumenschlichen Wesen aller Zeiten und Länder würzeln.' I use the English translation of ...
David Anderson (Crestwood, NY: St. Vladimir's Seminary Press, 1980) 49. See Friedrich Nietzsche, On the Genealogy of Morals; Ecce Homo, tr. Walter Kaufmann and R. J. Hollingdale (New York: Vintage Books, 1969) 68. See also Neal Krause, ...
But there is, as Irene Small points out, a notable dii-Terence between contemporary votive photos and sixteenth—century votive panel paintings. “With a photograph, one could no longer picture the agent of intercession.
Read the poems. Roll the dice. Cut out the couplets to create your own poems and fortunes. Be prepared for the strange and mysterious.