"Now that we ‘curate’ even lunch, what happens to the role of the connoisseur in contemporary culture? ‘Curate’ is now a buzzword applied to everything from music festivals to artisanal cheese. Inside the art world, the curator reigns supreme, acting as the face of high-profile group shows and biennials in a way that can eclipse and assimilate the contributions of individual artists. At the same time, curatorial studies programs continue to grow in popularity, and businesses are increasingly adopting curation as a means of adding value to content and courting demographics. Everyone, it seems, is a now a curator. But what is a curator, exactly? And what does the explosive popularity of curating say about our culture’s relationship with taste, labour and the avant-garde? In this incisive and original study, critic David Balzer travels through art history and around the globe to explore the cult of curation – where it began, how it came to dominate museums and galleries, and how it was co-opted at the turn of the millennium as the dominant mode of organizing and giving value to content. At the centre of the book is a paradox: curation is institutionalized and expertise-driven like never before, yet the first independent curators were not formally trained, and any act of choosing has become ‘curating.’ Is the professional curator an oxymoron? Has curation reached a sort of endgame, where its widespread fetishization has led to its own demise? David Balzer has contributed to publications including the Believer, Modern Painters, Artforum.com, and The Globe and Mail, and is the author of Contrivances, a short-fiction collection. He is currently Associate Editor at Canadian Art magazine. Balzer was born in Winnipeg and currently resides in Toronto, where he makes a living as a critic, editor and teacher.
9 Philip Gossett, 'Critical Editions and Performances', in Verdi in Performance, eds. Alison Latham and Roger Parker (Oxford: Oxford University Press, 2001), 143. 10 John Rosselli, The Opera Industry in Italy from Cimarosa to Verdi: The ...
Archival black and white photographs and colour plates--including Edwin Holgate's Ludivine, one of the most beloved and recognizable Canadian portraits ever painted--make this book a must-have for art lovers, students, academics, museum ...
Part Egyptian myth, part Alice in Wonderland, How the Blessed Live is an ethereally quiet, unexpected debut from a novelist to be watched.
It traces the evolution of the collections from Athanasius Kircher's 17th-century Wunderkammer to modern museums, and points the way for projects yet to come.
Snow was correct in stating that the artists and scientists of his era (and also currently) were educated in either the humanities or sciences: at the heart of that two cultures debate is the role that binary thought has played ...
On Nostalgia is a panoramic cultural history of nostalgia, exploring how a force that started as a psychological diagnosis of soldiers fighting far from home has come become a quintessentially modern condition.
The Painted Word is Tom Wolfe "at his most clever, amusing, and irreverent" (San Francisco Chronicle).
This debut collection of stories-featuring a talk-show host and her talking hand, a women's activity group that writes to prisoners, and a poncho-making nudist-is as unique as it is compelling.
My nanny soon departed and a stepmother, Pauline van der Voort Steese Dresser Rogers Hoving, seemed in my mind to take her place. I developed an instant hatred for my father's new wife. A handsome — definitely not pretty — dark- haired ...
For award-winning writer and urbanist Shawn Micallef, brunch is a way to look more closely at the nature of work itself and a catalyst for solidarity among the so-called creative class.