Short-listed for the Ottawa Book Awards, 2010 This is the story of the creation and first four decades of one of Canada’s pre-eminent cultural organizations. While it documents the history of Canada’s National Arts Centre in Ottawa, it also tells the story of the arts in Canada from the 1960s to 2006. The story breaks down into three parts: the years of creation and early growth, fuelled by the talent and resources generated by Canada’s 1967 Centennial celebration; the turbulent middle years, marked by a dearth of funds and political disinterest; and finally the "renaissance," when the decision is made to restore and recast the organization to provide continuing benefit to the performing arts in Canada’s capital and the country at large. Written in a documentary style, moving from episode to episode, the story is enriched by the personal memories of those who participated in it, including the leading artists, managers, officials, and politicians who were involved.
We talked about how the recent political violence and economic instability in Indonesia had eroded tourism to Tana Toraja and resulted in economic difficulties for the carvers and souvenir sellers in ...
In this book, Edelman continues his quest to understand the influence of perception on the political process by turning to the role of art.
As such the 32 chapters in this volume reflect on performing and visual arts; music, film and new media; as well as covering social practice, community-based work, conceptual, interventionist and movement affiliated forms.
This volume brings together an interdisciplinary group of scholars from France and the United States to investigate these directions and themes by exploring the question of "how to do politics with art" from a comparative standpoint, ...
m CM Mangold, Robert, 88, 93 Areas, 88 Manzoni, Piero, 178n51 "March 1-31, 1969," 207nl6. ... 62-63, 187n9 Meyer, Ursula, 198n32, 210n47 Mile Long Drawing (De Maria), 65 Milkowski, Antoni, 196n2 Miller, Dorothy, 175n25 Minimalism, 18, ...
One of the limitations that Hitler had imposed on Rosenberg when he granted him his appointment was to make him financially dependent on other leaders and organizations , thus curtailing his freedom of action . Rosenberg had tried early ...
The book focuses on three case studies: Mapplethorpe's controversial photography, an exhibit on the impact of AIDS entitled Witnesses, and the Guerrilla Girls.
Gabriel Rockhill opens new space for rethinking the relationship between art and politics.
Highlighting different moments of crisis and how these are reflected and preserved through crucial artworks, it also asks how to make art in the age of Brexit, Trump, and the refugee and climate crises.
Taking his cues from artists, thinkers, and movements as disparate as John Cage, Joseph Beuys, John Dewey, Social Ecology, and DIY punk rock, Adam Krause offers a bold prescription for the future of art and community.