This book introduces Joseon painting in Korea to a wider public under various social, cultural, and political perspectives. In addition to the fairly well-known ink painting tradition of the literati elite, it investigates the role of women as artists and patrons, the utilization of ideals of Chinese antiquity for political purposes, the role of painting in foreign exchange and as means of escapism, the support of Buddhist projects in a society governed by Confucian ideology, and court projects done for the documentation of important events and for palace decoration. Rather than engaging in a continuous historical narrative along constructed lines of stylistic, iconographic, or technological evolution, the book investigates selected groups or “clusters” of objects, and by unwrapping the multiple layers of the personal, intellectual, aesthetic, religious, socio-political, and economical contexts within which they are embedded casts light on the conditions of specific time periods. It provides a survey of important developments in Korean art and visual culture over a period of five hundred years.
Soyoung Lee, JaHyun Kim Haboush, Sunpyo Hong, Chin-Sung Chang Metropolitan Museum of Art (New York, N.Y.) ... The catalogue is made possible by The Miriam and Ira D. Wallach Foundation and The Kun-Hee Lee Fund for Korean Art. Additional ...
Machine generated contents note: Terraform: The Art Of Kwang Young Chun / John C. Welchman -- The Aggregations: Kwang Young Chun And The Human Condition / Carter Ratcliff -- Plates -- Information: A Long Journey Of Confrontation, Conflict, ...
Catalogue published on the occasion of the exhibition Nam June Paik, held at the Museum Kunst Palast, D'usseldorf, Sept. 11-November 21, 2010 and the Tate Liverpool, Dec. 17, 2010-March 13, 2011.
Bringing together works that span a fivedecade career, and including archival materials and excerpts of Paik's own writings, this book offers an in-depth understanding of the artist's innovative practice and his vision of a ...
... norigae from their waist belt as early as the Goryeo Dynasty, but as the jacket became shorter in the late Goryeo period, the norigae began to be hung from the jacket tie, which is how it was usually worn in the Joseon Dynasty. Norigae ...
Published to coincide with an exhibition held at the Los Angeles County Museum of Art, June 28-Sept. 20, 2009 and at the Museum of Fine Arts, Houston, Nov. 22, 2009-Feb. 14, 2010.
Joseon Korea: Court Treasures and City Life
Kwang-Young Chun
Chun Kwang-Young: Aggregation : New Works on Paper 2006