The shadow is the part of us made up of all that we hide from others: our shame, our fears and our wounds, but also our divine spirit, our blinding beauty and our hidden talents. The shadow is not bad in fact it is the source of our creativity and power but until we bring it into the light this power will remain untapped and our full potential unreached. Using practical exercises sourced from lucid dreaming and dream-work, Tibetan Buddhism and mindfulness meditation, this book explores how to: transform the dark and light shadow side, meet the shadow through your dreams, unlock your creativity and transform nightmares through lucid dreaming. This book will show you how to fearlessly embrace your shadow side in both your dreams and daily life, thereby manifesting the awakened power of your full potential.
创新为何总难以实现?破坏力巨大的创新由什么力量所驱动?我们应如何评估创新, 又应如何实现创新?美国"商业周刊"主编, 创新及设计领域先锋思想者努斯鲍姆终于找出答案! ...
Don't Take Any Wooden Nickels: An Inquiry Into and Application of the Creative Process in Your Life
This is the story of a persistent problem and the child who isn't so sure what to make of it.
This is the story of a persistent problem and the child who isn't so sure what to make of it.
本书讲述:我有一个奇怪的小念头, 但是它看起来脆弱而且古怪, 起初, 我并不在意它, 假装它不属于我.但是我走到哪儿, 它跟到哪儿.于是我把它藏了起来, 从不向他人提起 ...
You are unique. Just the odds of you being here at this exact place and this exact time are so great and so rare that they will never happen again. This is a story for everything you will do and everything you could be.
A boy has an idea which makes him uncomfortable at first but he discovers it is magical and that, no matter what other people say, he should give it his attention.
Marcuse ( 1964 ) sees bourgeois culture containing two necessary parts : material culture consisting of social and economic practices including work , family , education and leisure among others , and intellectual culture involving ...
These programs are often christened with names of famous creative individuals, such as OCCAM, BACON, GALILEO, GLAUBER, STAHL, FAHRENHEIT, BLACK, and DALTON. And these tags are not wholly incidental. For example, BACON specializes in the ...
One example of an attempt to externalize the drivers of creativity is the work of Michael Gibbons and colleagues , who argue that Mode 1 research , curiosity - driven and university - controlled , is progressively being superseded by ...