For its initiates, jazz is instinctive and engaging--the way that popular music should be. For non-aficionados, it can be slippery and difficult to grasp: without familiar forms or a hard-and-fast format, and largely ruled by improvisation, jazz leaves the novice baffled, not sure how to listen, and asking "how is it that they know what to play?" 30-Second Jazz explains, in easy, short riffs that keep you engaged, taking readers from the African-American roots of jazz all the way to today's global mix of musicians and styles. Along the way, it looks at the shape, style, and instruments of jazz, at key personalities and recordings in the jazz canon--and at what might be expected next from this most diverse of musical forms.
From plainsong to program music, appreciate the passion and the pathos of sounds that have the power to stir our emotions to joy or sadness. Here's music to your ears.
Phillips would strike gold in 1954 when he recorded the 19-year-old Elvis for his Sun label, but back in 1951 Sam leased his recordings to other labels, and the songs recorded that day ended up with Chess Records of Chicago.
ACKNOWLEDGEMENTS AUTHOR ACKNOWLEDGEMENTS First off, thanks to Jamie Pumfrey, Stephanie Evans, and Caroline Earle of Ivy Press for being such a great editorial team to collaborate with. It's the real pros who know how to make it work but ...
Stickball took off in the early twentieth century. During its heyday in the 1940s–50s, there was a stickball team on every block of some neighbourhoods, from Spanish Harlem to Little Italy. PLAY BALL! the 30-second text Few things bring ...
This new edition features expanded coverage of women in jazz, the rise of jazz as a world music, the influence of Afro-Cuban and Latin jazz, and streaming audio.
Chronicles the history of jazz over the complete lifespan of East Germany, from 1945 to 1990, for the first time.
... index. The music index is represented as a large tag-song matrix where each element of the matrix reflects the strength of semantic association between a tag and a song. We will begin this chapter by further developing the notion of a music ...
... 30-second composition with a light jazz feel but already with his signature compositional style including bass, flute, sitar, synthesizer, and tabla).1 The directors of the ad, Rahman's cousin Sharada Nair and her husband Trilok, then ...
4.3 Simulating Perception of Tones, Chords and Keys In order to be compelling, a cognitive model of music perception should not only simulate the internalization of Western pitch regularities via mere exposure, but should also simulate ...
... M. 307 Royne-Stafford, M.R. 250 Rubert, C. 123 Rubin, A.M. 167, 186 Rubin, D.C. 110 Rubin-Rabson, G. 123 Rudman, ... P.L. 261 Savage, I. 68 Schachter, S. 130 Schaller, M. 234 Schedlowski, M. 308 Scheel, K.R. 194, 197, 198 Schell, ...