“I paint what I see and not what it pleases others to see.” What other words than these of Édouard Manet, seemingly so different from the sentiments of Monet or Renoir, could best define the Impressionist movement? Without a doubt, this singularity was explained when, shortly before his death, Claude Monet wrote: “I remain sorry to have been the cause of the name given to a group the majority of which did not have anything Impressionist.” In this work, Nathalia Brodskaïa examines the contradictions of this late 19th-century movement through the paradox of a group who, while forming a coherent ensemble, favoured the affirmation of artistic individuals. Between academic art and the birth of modern, non-figurative painting, the road to recognition was long. Analysing the founding elements of the movement, the author follows, through the works of each of the artists, how the demand for individuality gave rise to modern painting.
Wechsler 1 9X2. and Isaacson 19X2. Art historians first began commenting on this by focusing on specific borrowings, such as Degas's from Daumier, or Manet's from popular illustrations, and subsequently by broader inquiries into the ...
A study of Impressionism covers its philosophical, social, and political context along with an exploration of well- and lesser-known painters, including Edouard Manet, Edgar Degas, Berthe Morisot, and Gustave Caillebotte.
About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published.
Tracing the movement’s expansion from France to the rest of Europe and North America, this volume shines a spotlight on the main protagonists who were key in the development of Impressionism.
Simply put, the idea of Monet's art as in crisis seems formalist. ... Expressionist artists, critics, and curators in the 1950s and 1960s, among them Clement Greenberg and William Seitz, whose 1960 text on Monet saw wide circulation.
No artistic education is complete without a healthy dose of the Impressionists. Here fifty of the most important works from the early nineteenth through the early twentieth centuries are gorgeously...
Featuring 365 great Impressionist paintings, this book offers a beautiful and inspiring way to celebrate art every day of the year.
In the 1860s, a style of painting emerged in Paris which fundamentally called into question the artistic concepts that had been prevalent in academies up to that time.
The concise edition of a book on Impressionism, the name given to the major artistic phenomenon of the 19th century and the first of the Modern Movements.
I5 15 1956 Elderfield, John. European master paintings from Swiss collections: post- impressionism to World War II: [exhibition] / by John Elderfield; foreword by William Rubin. Published/Created: New York: Museum of Modern Art, c1976.