The road movie is one of the most tried and true genres, a staple since the earliest days of cinema. This book looks at the road movie from a wider perspective than ever before, exploring the motif of travel not just in American films—where it has been most prominent—but via movies from other nations as well. Gathering contributions from around the world, the book shows how the road movie, altered and refracted in every new international iteration, offers a new way of thinking about the ever-shifting sense of place and space in the globalized world. Through analyses of such films as Guantanamera (Cuba), Wrong Side of the Road (Australia), Five Golden Flowers (China), Africa United (South Africa), and Sightseers (England), The Global Road Movie enables us to think afresh about how today’s road movies fit into the history of the genre and what they can tell us about how people move about in the world today.
This volume explores the ways films made by Latin American directors and/or co-produced in Latin American countries have employed the road movie genre to address the reconfiguration of the geographical, sociopolitical, economic, and ...
The Road Movie Book is the first comprehensive study of an enduring but ever-changing Hollywood genre, its place in American culture, and its legacy to world cinema.
NATIONAL BESTSELLER • WINNER OF THE PULITZER PRIZE • A searing, post-apocalyptic novel about a father and son's fight to survive, this "tale of survival and the miracle of goodness only adds to McCarthy's stature as a living master.
... detours, often exploited for the most crucial narrative developments and thematic thrust. Moving on to the narrative, Laderman enumerates the road movie's common themes and basic premises, including (Driving Visions 17–23): (i) single ...
This book presents more than 160 short contributions by Americanists and Non-Americanists from around the world in an essayistic brainstorm that brings together many questions asked about "America" and American Studies in the age of ...
The book's cluster-based organization allows students to acquire a progressively sharper understanding of core issues about genre, aesthetics, industry, culture, history, film theory, and representation that apply to all films around the ...
This text examines issues such as the reworking of the genre in a Brazilian context, the relationship between documentary and fiction, between history, politics and cinema, gender and race, the wilderness and the urban space, the national ...
"This is a fascinating book.
Genres, Modes and Identities David Martin-Jones. CHAPTER 2. Road. Movie: Scotland. in. the. World. This chapter explores the place of the road movie in Scottish cinema. It ... road movie has emerged as a CHAPTER 2 Road Movie: Scotland in the ...
Film Festival Yearbook 2: Film Festivals and Imagined Communities. ... The Film Industry in Brazil: Culture and State in Latin America. ... In Badley, L., Schneider, S. J., and Palmer, B. R. (eds), Traditions in World Cinema.