Notoriously difficult to define as a genre, Live Art is commonly positioned as a challenge to received artistic, social, and political categories: not theatre, not dance, not visual art, and often wilfully anti-mainstream and anti-establishment. But as it has become increasingly prevalent in international festivals, major art galleries, and university courses, it is ripe for a reassessment. Including almost 50 contributing artists and scholars, this collection of essays, conversations, provocations, and archival images takes the twentieth anniversary of the founding of one of the sector's most committed champions, the Live Art Development Agency in London, as an opportunity to consider not only what Live Art has been against, but also what it has been for. Through the work of this particular 'Agency', the book explores the idea of agency more generally: how Live Art has enabled the possibility for new kinds of thoughts, actions, and alliances for diverse individuals and groups.
Shibboleth comprises an exhibition installation and live art programme, featuring over 40 artists, with regional and international contributors - 17 Nov - 9 Dec 2006. curated by counterproductions, Neil Drabble and Nigel Robinson (Hi-rise ...
This is a selection of the collage, and experimental and documentary photographs of Nigel Henderson, together with an in-depth account of the artist's singular life.
Superhumanism 2 (S-oohpaahhumanismmm): A Survey of a Current Art Movement
Superhumanism 2 (S-oohpaahhumanismmm): A Survey of a Current Art Movement
Bhambra, Gurminder K. Connected Sociologies. London: Bloomsbury, 2014. Blunt, Alison. ... Brown, Mark. 'Apollo Relaunch: Peterlee's Brutalist Blast Is Given a Grade II* Listing'. The Guardian, 15 December 2011.
The Substance Or the Shadow: Images of Victorian Womanhood
William Morris reacted to the industrialisation of Britain by encouraging the maintenance of traditional skills.
This comprehensive account of Arthurian in British art in the 19th century offers fresh insights into the significance of the legends.
These drawings reflect Tyson's interest in being part of a giant network within which we can read and view the associations generated by the restless mind.
London , Curwen Gallery . ( Solo exhibition . ) Munich , Dany Keller Galerie . Zeichnungen , Collagen , Video . Solo exhibition . No catalogue . 27 July - 4 August . Paris , The Louvre . Le Bruit des Nuages – Flying out of this World .