The first in-depth biography of one of music's most fascinating, colourful and innovative characters. This book is the most comprehensive history yet of the life, music and cultural significance of the last of the great black music pioneers and the era which spawned him. Clinton stands alongside James Brown, Jimi Hendrix and Sly Stone as one of the most influential black artists of all time who, along with his vast P-Funk army took black funk into the US charts and sold out stadiums by the mid 1970s with his mind-blowing shows and legendary Mothership extravaganzas. The book contains first hand interview material with Clinton, Bootsy Collins, Jerome Bigfoot Brailey, Junie Morrison, Bobby Gillespie, Afrika Bambaataa, Jalal Nuriddin (Last Poets), Juan Atkins, John Sinclair, Rob Tyner (MC5), Ed Sanders (The Fugs), Chip Monck ("The Voice of Woodstock ) plus other P-Funk associates and friends. The book presents an insiders' view of the rise of Parliament and Funkadelic from the doowop era and LSD-crazed early shows through to P-Funk s huge rise, the era of the Mothership and beyond.
The book contains a wealth of new first hand interview material with Clinton, key P-Funk personnel and other friends and associates, eye-witness accounts of key moments in Clinton's history create the ultimate P-Funk history.
Traces the funk music legend's rise from a 1950s barbershop quartet to an influential multigenre artist, discussing his pivotal artistic and business achievements with Parliament-Funkadelic. 75,000 first printing.
What can I say about George Clinton?
For the record, Simmons always enjoyed 'cordial' relations with both Sylvia and Joe Robinson, but it was significant that he never managed a Sugar Hill act – principally because the label's executives went out of their way to discourage ...
How Long?: African American Women in the Struggle for Civil Rights (New York: Oxford University Press, 1997); Benita Roth, Separate Roads to Feminism: Black, Chicana, and White Feminist Movements in America's Second Wave (New York: ...
This is exactly what Hunter and Robinson achieve in Chocolate Cities.
And it has flourished into a vibrant modern underground, epitomized by Newcastle’s Pigs Pigs Pigs Pigs Pigs Pigs Pigs. This is the evolution of heavy music.
That music ranged from classical to folk to blues, with one exception made for popular music: Chuck Berry's 1958 rock 'n' roll anthem “Johnny B. Goode.” Timothy Ferris, an editor at Rolling Stone, was among those chosen to sit on the ...
26. Kris Needs, George Clinton and the Cosmic Odyssey of the P-Funk Empire (London: Omnibus Press, 2014). 27. Parliament, “Children of Production,” track 4 on The Clones of Dr. Funkenstein (Casablanca, 1976). 28.
Funk jumps on the first beat with a hard accent and then lays back in the groove for counts two through four. So just about everything in this book is on THE ONE. The content of this book is intended to be opinionated.