Interrogations of materiality and geography, narrative framework and boundaries, and the ways these scholarly pursuits ripple out into the wider cultural sphere. Early medieval England as seen through the lens of comparative and interconnected histories is the subject of this volume. Drawn from a range of disciplines, its chapters examine artistic, archaeological, literary, and historical artifacts, converging around the idea that the period may not only define itself, but is often defined from other perspectives, specifically here by modern scholarship. The first part considers the transmission of material culture across borders, while querying the possibilities and limits of comparative and transnational approaches, taking in the spread of bread wheat, the collapse of the art-historical "decorative" and "functional", and the unknowns about daily life in an early medieval English hall. The volume then moves on to reimagine the permeable boundaries of early medieval England, with perspectives from the Baltic, Byzantium, and the Islamic world, including an examination of Vercelli Homily VII (from John Chrysostom's Greek Homily XXIX), Hārūn ibn Yaḥyā's Arabic descriptions of Barṭīniyah ("Britain"), and an consideration of the Old English Orosius. The final chapters address the construction of and responses to "Anglo-Saxon" narratives, past and present: they look at early medieval England within a Eurasian perspective, the historical origins of racialized Anglo-Saxonism(s), and views from Oceania, comparing Hiberno-Saxon and Anglican Melanesian missions, as well as contemporary reactions to exhibitions of Anglo-Saxon kingdoms and Pacific Island cultures. Contributors: Debby Banham, Britton Elliott Brooks, Caitlin Green, Jane Hawkes, John Hines, Karen Louise Jolly, Kazutomo Karasawa, Carol Neuman de Vegvar, John D. Niles, Michael W. Scott, Jonathan Wilcox
263; Hutchinson, 1972, p. 50. 3. Lehrs VIII, 132, no. 56; Wilden Leute, 1963, no. 69; Bernheimer, 1952, fig. 11. 4. Hutchinson, 1972, p. 50. 5. Lehrs VIII, 160, nos. 86, 87; Hutchinson, 1972, pp. 69-70, figs. 84, 85. 6.
Jerrilynn D. Dodds, Metropolitan Museum of Art (New York, N.Y.) John P. O'Neill ... (17.5 x 6.6 cm) Museum of Fine Arts, Boston (36.626) The second of the reliquary's gabled ends centered around an ivory plaque that depicted the death ...
Unfortunately thereisno record of the building ofthe ChapterHouse, anditsdate isa matter of dispute, Drake puttingitas early asthe time of Archbishop Walter Grey, who died in1256, andBrowne holdingitwas not finished till nearly 1340—an ...
Brown, Michelle P. Understanding Illuminated Manuscripts: A Guide to Technical Terms. Los Angeles, CA: J. Paul Getty Museum/British Library, 1994. ... Illuminated Manuscripts and Their Makers. London: Victoria and Albert Publications, ...
The Secular Spirit: Life and Art at the End of the Middle Ages ; [catalog of an Exhibition Held at...
"This book provides a unique, in-depth and comprehensive analysis of the modelling issues faced by credit modellers in the credit derivatives market.
Illustrated both in black and white as well as colour, this book should be of interest to anyone interested in the Middle Ages.
Now published in paperback, this fully-illustrated book explores the concept of the monster in the Middle Ages, examining its philosophical and theological roots and analysing its symbolic function in medieval literature and art.
An illustrated tour of The Cloisters, presenting hidden treasures and details of the collection that might be missed by the casual visitor.
Through full spreads and carefully curated details, the book surveys the artist's compositional scope as well as his most compelling, if disturbing, inventions, from horse-skulled harp players to.